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I was probably 8 years old; my mom let me stay up one night. She's like, 'You have to see this movie.' It was 'A Streetcar Named Desire,' and it was on TV, and it was a big deal. And I saw Marlon Brando, and I was like, 'Oh, my God.' That's where it started.
I want to get into some television. There might be a perception about me being only a movie actor, you know, and there's this whole new sort of frontier opening up in that medium.
When you make a book or you make a movie, it is almost like hitting on somebody. It's not because you want to seduce people that you will seduce them; you can hit on somebody and it doesn't work. But when you hit on them and it works, then it's really cool.
Awards season is not something that I think about. What I enjoy a lot is knowing that people go and see the movie and they love the movie.
When I was a kid, my dream was to be an actress and to be able to jump from one world to another, to disappear into roles, that people wouldn't recognize me from one movie to another. So I feel very lucky that I have the opportunity to live that dream.
When you don't have time, especially for a director, you cannot do exactly what you want to do. You have to cut your dream to fit in the movie you're doing.
The Dardenne brothers do a movie almost every year, and they put everything together to have a comfort.
I cry watching 'Camille' with Greta Garbo. I have to say that - while it might sound weird - it will be weird, but there is one movie I always laugh in, and at the end of the movie, I always cry, and I saw it, like, 10 times. It's 'Step Brothers.'
A movie shoots six months for two hours of film.
I think I'd have to say that 'The Shining' is my scariest movie ever.
Actually, Nicole Holofcener's movies have always felt really right to me. 'Lovely & Amazing' is a movie about women's bodies that I feel is so truthful and painful and real.
I remember thinking when I set out to direct my movie that it was all about lenses and the shots you were going to get. Really, directing is about tapping into what makes us the most human, telling stories, emotions, and managing a group of empathetic people.
It took me months and months to get back to normalcy - to have a glass of wine at dinner, to go out to a movie with my wife. Just those normal things that you take for granted I wasn't able to do for a long time.
America puts killers on the cover of 'TIME' magazine, giving them as much notoriety as our favorite movie stars.
They tell us in magazines and in ads, 'Oh, you should look like this, you should wear this, you should look like this movie star, or you're nothing.' And so we're all totally unsatisfied.
My dream is to make a movie on 'Vyakti Ani Valli,' a play based on the famous book written by P.L. Deshpande.
If a movie musical came along and the part was right and somebody wanted me to do it, I would do it in a heartbeat.
I have never been asked to be in a movie musical. Other than 'Yentl,' which I didn't sing in.
A lot of things and a lot of money is involved in a movie. It is very upsetting when a movie doesn't fare well at the box-office.
Sometimes in a large family, you get taken to a movie and there just isn't enough space or not enough tickets and you get left out. Those are the movies you remember because you never got to see them!
It is usually the setting that decides whether a movie can be made in two languages. If the subject is rooted up North, then I make it in Hindi. But if the subject is common, then I am open to making the movie in multiple languages.
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