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I've never seen 'Gone with the Wind.' I don't know if that's something to be embarrassed about, but I know that I should have seen that movie by now.

You can't repeat the success of any movie.

There are definitely scripts I start reading, where it doesn't interest me. Maybe it'll be a good movie, but the character doesn't intrigue me.

A lot of times, I'll get roles where it's the dumb blonde or the cheerleader, and I just have no interest - and it can be a great movie, it really can - or the mean girl; those things don't intrigue me much.

It's awesome when people respond to your movie and love it.

I just find the people I want to work with and put it all together, and it's a lot of hard work, and all kinds of catastrophes happen, but I don't really get too much resistance. But when you make a movie, it seems like there's nothing but resistance. It's kind of a miracle that any movie ever gets made.

I love writing openings, and I think that can give me the key to the movie. So somehow, that can be the easiest part, to be honest.

When I sit down to write, I know everything I need to know... I start writing, and within 30 seconds or 60 seconds, I'm watching a movie. I'm not making this stuff up; the characters are acting it out,and I'm just writing it down.

In our home we have many movie props from old film productions.

My entertainment was going to the local dollar movie theatre on the weekend, where I watched old black and white movies. If you wanted current movies, you had to drive to the big city.

It's funny: I've always wanted to grow my hair out ,and I always seem to get a movie right before it's sort of the right length or right after, and it's never timed right.

I just finished a Jackie Chan movie, yes. That was an experience. I can mark that off on my bucket list.

I certainly didn't want to make another movie that's 'just another Dracula film.'

'The Desolation of Smaug' stands alone as an action/adventure epic movie. It's visually stunning, and the 3D is incredible. Plus, it's directed by Peter Jackson, and he's extraordinary.

I love movies. I own, like, every movie, ever.

The biggest surprise about making a movie has got to be the wait in between takes.

Awful film adaptations follow novelists for the rest of their lives. An atrocious movie of 'We Need to Talk About Kevin' could have stigmatised the book, aggrieved the novel's fans, and blighted my reputation forever.

I have learned from my experiences in this industry that there is absolutely no way to control people's opinions on your performance in your movie. You go out there, promote your film and hope people like the work you did.

I have to say that whatever decisions I make, I really do think that movie making is a director's medium. They are the people that ultimately shape the film, and a director can take great material and turn it into garbage if they are not capable of making a good movie.

It's great when improv is encouraged. It's a really fun thing. It depends on who's in the movie and how their process works as well. It takes a director who is open to that because you have a script, but then something funny could happen on set.

Every movie that I'm in is very different in terms of aesthetic and costume. I mean, from 'Mirror, Mirror' to 'Mortal Instruments,' I went from dressy dresses to leather and heels and tight, sexy, chic outfits.

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