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I get kids who say, 'Oh, I love your movie, but my mum loves your dad.' It's really nice to be able to share that with him, but it doesn't define who I am career-wise.

I relate my life a lot to 'Cool Runnings,' the movie.

Football is a great environment for a movie because there is such passion for it and so much adrenaline.

The thing about TV is that it's great work for directors because the responsibility is not ours at all. In a movie, you choose a movie, and everybody points his or her finger at you afterward. It doesn't matter how much influence you had on the script, how much decision you had, or the fact that you didn't have final cut.

'Deadpool' is massively successful because they made a very unique movie. That uniqueness and originality, try to imitate that. Not, 'How about let's try to do 'Deadpool' on a train.'

There was a choice of being a director who's more familiar with the technicality of doing a movie, like learning about the camera and filters and setup, or being a director who can actually talk to actors. And I always wanted to be an actor's director.

One of the most crucial aspects of a haunted house movie is the fear and disbelief of the characters, because they don't know what's happening to them.

The great thing about horror films is that they work on a low budget. The genre is the star. You don't need big movie stars, and I actually think a lot of times that the best horror films are the low budget contained ones.

I think the way to create a lot of terror in a haunted house film is to have a bunch of people who have no idea what's happening to them, and you sort of live the movie through their eyes.

I sort of knew very early on that I wanted to be a writer. Even in high school, I was a big movie buff, very much into TV shows, and would critique them.

If you have five weeks to write an episode of television or seven months to write a movie or several years to write a book, each of those things is going to be better than a live television show.

I've never done a studio movie, let alone worked for a network. Every one of my films has been independently financed.

These days, gun violence can strike anywhere, from a church hall in Charleston to a movie theatre or a Planned Parenthood office in Colorado. But our response to it depends on whether that violence is understood to be terrorism.

I had to stop taking myself and the craft that seriously. Somehow I saw the bigger context of life. It's just a movie. What I wanted was to entertain and delight and put the audience on a nice ride.

Anytime I get to turn up in my own city is a movie.

Some people think of me as an actor and some as a movie star, so I sort of guess that makes me both. I love making movies, and I love playing on the stage.

Do mainstream crowds want to watch a movie about good things happening in black neighborhoods? Do black audiences want to see a little girl doing something in a white world?

I've been around long enough now and have learned to be flexible enough to know that every movie isn't going to be 'Apocalypse Now,' and every director doesn't have to be Stanley Kubrick.

I worked in a lot of cinemas when I was at college, and I'm a movie dork, and it's a nice thing to do while you're on tour. Everything is different a lot of the time - you're never in the same place - but I like going to the cinema because it feels like no matter where you are, the experience is really the same.

I'm not sure if my story will become a movie. Some of my western friends sent my story to people they know in the movie industry. But one consistent response was there aren't any main western characters in my story, so it's unlikely to be made into a movie in English.

When I'm not training, I'm typically doing anything self-care, so, like, bath bombs and face masks, or, like, having a movie night with my family, if that's possible.

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