A man who goes to jail for his ideas is much freer than his keepers.
Mikis TheodorakisRead
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A man who goes to jail for his ideas is much freer than his keepers.
If you ask another competitor, they may tell you they felt very competitive towards me. But I can tell you that my biggest competition was myself. There's only so much you can do, right? There is only so much energy that one has. My focus was on how do I get the best out of myself.
The question is how much of your privacy and your convenience and your commerce do you want your nation's security apparatus to squeeze in order to keep you safe? And it is a choice that we have to make.
Ideas are the easy part. I spend a lot of time batting them away, trying to keep them from distracting me from what I actually have to focus on and finish. A lot of times, they are a siren temptress beckoning me with the promise of a much shorter, simpler, more slender novel over the horizon, but of course that's very dangerous.
Much of the time, the things we feel guilty about are not our issues. Another person behaves inappropriately or in some way violates our boundaries. We challenge the behavior, and the person gets angry and defensive. Then we feel guilty.
It is so impossible to predict how much influence what you write will have, and what sorts of anxieties and imaginaries it will tap into.
Literacy is so much entwined in our lives that we often fail to realize that the act of reading is a miracle that is evolving under our fingertips.
When someone tells me, 'Oh, we have so many problems on Earth; space exploration costs too much money,' I say, 'I absolutely agree with you. But I still hope we do it.'
We all admire great accomplishments in the sciences, arts, and humanities - but we rarely acknowledge how much we achieve in the course of our everyday lives.
We humans are not the end of evolution, so if we can make a machine that's as smart as a person, we can probably also make one that's much smarter. There's no point in making just another person. You want to make one that can do things we can't.
You need to gain the confidence that you're doing enough on film. You must resist the temptation to do too much.
Accident is as much a part of fiction as anything else, symbolic of the grace that, along with will, conspires to put words on the page.
As much as I love art, there is no art as fine as the world we have been given.
I did learn eventually - perhaps far too late - to respect the talent I have. For a lot of years out there, I was just bashing on to the next thing and not really thinking about it too much. That's what we do. But I'm learning to appreciate the moment.
The inside of a house or apartment after decluttering has much in common with a Shinto shrine... a place where there are no unnecessary things, and our thoughts become clear.
I'm very much of the opinion that theatre is a collective art form, not just one person's vision.
Many of us feel stress and get overwhelmed not because we're taking on too much, but because we're taking on too little of what really strengthens us.
The basis for my own work during the years just before coming to America in 1915 was a desire to break up forms - to 'decompose' them much along the lines the cubists had done. But I wanted to go further - much further - in fact, in quite another direction altogether.
The willingness to be self-critical in England is much greater than the willingness to be self-critical in America.
Slavery is a wrong to each individual enslaved; and not merely to the first of a series. Natural law, therefore, as much forbids the enslaving of the child, as if the wrong of enslaving the parent had never been perpetrated.
Generally, I think my work has so much influence because of its reasonableness.
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