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Back when I was in theater school, trying to figure out what I was going to do with my life, 'Sweeney Todd' was a huge touchstone for me, my favorite musical for sure.
When I'm playing with the band or playing with some projects or some of my own stuff it's about the musical approach. That would be the more turntablist approach to things of where it's strictly about music.
Eventually we want to do a puppet musical with turntables in the orchestra pit.
To me, the musical is best when it's a musical comedy. So if you have a very, very funny show, and very good, funny songs, that's what the musical does best.
Democratic foursomes don't work in the '70s like they did in the '60s, when there were fewer musical directions.
When I was a kid, I went through a lot of musical phases, and one was when I'd learn everything that The Beatles ever recorded. After I started drums, I fell in love with their music so much that I just wanted to learn everything.
You can get swept away by a musical, but real tears are rare.
It could have been extremely boring to write musical scores for only westerns of horror films. It was really exciting for me to work in all these various genres.
I come from a background of experimental music which mingled real sounds together with musical sounds.
The respect for a musical score must come from the director... If the director has no power and has to surrender to budgetary constraints, this is where we have the problem.
In my youth, cinemas showed two films in one day. I used to watch both of them. It may sound strange, but 'West Side Story' was the only musical I liked. I didn't like musicals, or films with songs, at all. I always thought they were not real, that the songs sounded a little bit false. But in the case of 'West Side Story,' things were different.
Bluegrass has a very, very strict musical form. Once you start to dilute it, it disappears.
I'm a huge music fan. I usually say that if I had been born with a musical inclination, it would've been great. The Beatles changed everything for me, and I wanted to be a journalist for 'Rolling Stone.' I'm a big music fan in a Cameron Crowe way, kind of in a spectator way.
My musical inclinations are fine and dandy within the confines of my ears and my earphones but don't sit well with others.
When I was in my teens, I thought, 'Would I like to try and work hard at being an actor, or do I want to work hard at doing something musical?' Acting won out, but I do really enjoy those moments where I get to just belt something out.
When I was four, we had to choose a musical instrument to play at school, and I chose the cello. I played until I was 18, and although I found it nerve-racking to play solo, I loved playing in an orchestra. When I left school I didn't carry on with it, which I regret.
The Wachowskis' use of space rivals that of musical directors like Gene Kelly and Mark Sandrich.
I don't see life without a musical career. I really enjoy doing what I do.
One of my biggest musical influences is definitely Ella Fitzgerald as a vocalist.
When I say I'm the biggest musical act on the face of the planet, I really mean that. I'm in front of tens of thousands of people, millions around the world, performing every week. Is there anybody else that's doing that? I don't think so.
My training in music and composition then led me to a kind of musical language process in which, for example, the sound of the words I play with has to expose their true meaning against their will so to speak.
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