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When I was in my teens, I thought, 'Would I like to try and work hard at being an actor, or do I want to work hard at doing something musical?' Acting won out, but I do really enjoy those moments where I get to just belt something out.

When I was four, we had to choose a musical instrument to play at school, and I chose the cello. I played until I was 18, and although I found it nerve-racking to play solo, I loved playing in an orchestra. When I left school I didn't carry on with it, which I regret.

The Wachowskis' use of space rivals that of musical directors like Gene Kelly and Mark Sandrich.

I don't see life without a musical career. I really enjoy doing what I do.

One of my biggest musical influences is definitely Ella Fitzgerald as a vocalist.

When I say I'm the biggest musical act on the face of the planet, I really mean that. I'm in front of tens of thousands of people, millions around the world, performing every week. Is there anybody else that's doing that? I don't think so.

My training in music and composition then led me to a kind of musical language process in which, for example, the sound of the words I play with has to expose their true meaning against their will so to speak.

If you are in a play, and you catch a cold, you are able to muddle through. If you are carrying a musical, it's a different thing altogether. It's the great fear of any singer's life.

I remember Tim telling me that he had an idea for a musical and he said to me that he was hoping that ABBA would be writing the music, which I thought was a pretty wild idea because they were obviously known very much as pop writers.

'Evita' obviously would always be very special to me because it was the first major musical that I did on stage and created in the U.K. with Hal Prince directing.

But you know, I'm not 25 anymore, and I have always said musical theater in particular is a young person's game. It requires energy, mentally and physically, to do it.

I remember seeing the first Astaire-Rogers musical on television, and I couldn't believe how beautiful it was. It dawned on me that you don't have to wear a cowboy hat to be a man.

I've always considered myself something of a musical rebel.

Our musical alphabet is poor and illogical.

Panamanian boxing is unique - it's very musical. It's almost like a dance. It has a lot to do with being in the Caribbean and with salsa. When you see a Panamanian boxer, there's a style. There's a playfulness in the way you throw the punches.

I like Rufus Wainwright a whole lot. He makes me wanna be even more musical.

I like writing for individuals with really rich musical personalities.

I actually have a decent singing voice, and I've never been able to sing onscreen. I'd love to do a musical.

I regard myself as a beautiful musical instrument, and my role is to contribute that instrument to scripts worthy of it.

I don't regret any of the musical decisions I have made.

A voice expressing emotion in a musical way moves on. It's like the finale of the movie 2001: A Space Odyssey (1968) - the world turns in on itself, as a universe unto itself, in the shape of one human being.

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