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Because my musical background is so diverse, it lends me to have very much my own style and it helps me to relate to the music as I'm going to play it. I just write. And if it comes out country, it's a country song. The funny thing is, I write all across the board. I just write what hits me at the time.
I have musical ADD, so I like to switch things up.
Well, I really enjoyed drama classes at school, but I left at 16 and started writing a musical with my brother. Because of that I missed out on going to college in general - it was take that chance or not and maybe miss out on something incredible.
I don't think it was ever a conscious decision to go into musical theatre. It just felt like the natural progression.
'Strictly' is definitely life-changing, and I hope it can open another pathway for me, career-wise. Maybe something a bit more musical.
I didn't know I was going to go into musical theater necessarily. It was never planned. I just kind of fell into it because I knew I wanted to act, and yet I had this opera training... I knew I had a voice.
I believe there's no reason why we couldn't be entering a new age of musical theater if we continue to nurture young talent, take risks, and give them a playing field.
If you looked at my music collection and saw an album that was a soundtrack to a musical, it's probably because I had bought it to learn the music so I could go and audition.
Coming from the U.K., I can think of so many great songs and musical moments that didn't require a belter of a voice; my favorite singer is Kate Bush and she's not a belter, or PJ Harvey... I'm definitely more of an alternative girl.
I have a very musical family from my Scottish roots.
I'm proud of the fact that I've taken a lot of big directors, such as Trevor Nunn and Nick Hytner, who were musical virgins, and introduced them to the form.
My father always wanted me to play a musical instrument, and I never had that type of skill.
I'm not musical myself.
I trade musical favours like cattle. I can't remember the last time I did a remix for actual money. For me, I try and get a good swap.
I like to think of myself as a musical scavenger.
There are all kind of corners of the musical world that are deeply influenced by the Dead that one wouldn't expect. Lee Ranaldo is a crazy Deadhead.
When I'm writing instrumental music, I try to find musical and non-musical inspirations.
It's funny... musical theater is what paid my rent and kept me going for the longest time.
I majored in musical theatre performance at college, then went through years of waiting tables and temping while looking for acting work.
I thought I was going to be in musical theater all the way, from beginning to end, and then it started not to feel right after my first year at conservatory.
I was in New York and was pursuing musical theater, and it didn't feel right. I felt I was forcing myself to do things and be things that I wasn't, all the time. I wasn't listening to what I wanted to do. I was listening to what I thought I should do.
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