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I work in musical theater because people keep writing quality stories in the genre, and I'm really all about investing in a piece that says something about our current time, that is, a reflection on who we are today.

Not being a natural songwriter... for me the appreciation of a great song and the writers came early on, growing up in a musical family. My dad got to sing songs by some of the greatest writers of all time, Rodgers and Hammerstein.

I'm just glad that I'm the musical equivalent of a character actress, because blues singers can keep singing and having an audience at 35, and someone like Madonna's gonna have to find something else to do, 'cos I don't care how pointy those bras are that she wears, they're still gonna look a little odd when she's 55!

I was always super, super musical. So my parents recognized that and put me in choirs, piano lessons, and all that.

I've been singing since I could talk, pretty much. My dad was really musical and taught me how to sing harmonies and got me a karaoke machine with tape decks.

I grew up listening to Steve Martin and Robin Williams, so I didn't ever intend to be a musical comedian. I sort of stumbled into it.

My family was very musical. My brother is an opera singer; my parents both sang.

I do think that it's better for a musical to live its life first because if you see it on the screen, would you like to go to the theater after that? Probably not. You've seen it. And that's the mystery of a musical that hasn't been filmed. You're bloody meant to go there and buy your ticket.

I've tried to pitch 'Borgen - the Musical,' but they just won't listen to me!

I don't play beats. I hate playing beats. I'm an orchestration drummer. I'm a musical drummer.

I have been blessed with musical visions and the ability to harness them.

We don't want to categorize our music. Some people say you need a definite musical direction to give a group visibility.

It was my band. I organized the band and Dizzy was in the band. Dizzy was the first musical director with the band. Charlie Parker was in the band. But, no, no, that was my band.

I went to performing arts camp, secretly taking classes - I got the lead in the musical, and my dad was like, 'Wait, I thought you were going here for music and knitting'.

A musical film is my idea of heaven. You can pre-record, you don't have to sing live. Singing live was the bit I hated the most. I never felt like a confident singer.

I would really love to do a musical, I don't know in what capacity but something funny.

I have no restrictions, no limits, no musical history to live with.

I do love the musical form, although it's often disappointing.

My comedy comes from the actual music itself - they're observational musical gags. I could take the music away and it would just be some words.

I tried singing. I tried playing a musical instrument. I really wanted to be a musician, but I never could quite pull that off. I liked entertaining, but I was always drawn to some kind of technical work - some kind of honest labor.

The music that I make is built on layers upon layers of musical ideas. I want to keep it fun and fresh to where listeners won't get everything from just one listen. They can go back to it months, weeks, or even years later and hear something that they didn't ever hear before. That's what it's all about.

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