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I would say that I don't look for musical things.

Good singing is learning how to transmit learning musical information with your voice in a way that everybody can relate to. But as a woman you just get a lot of criticism because everyone sees you like a raw lump of clay that needs some help.

Enya is a very matriarchal musical force. Her music is very feminine and she layers her voice a lot. It leaks into my music secretly on the side. There's a lot of lush layers of my voice hiding in the cracks.

On 'Cardamom,' I had pretty much total control on all of the musical stuff, but I asked a friend of mine to take the picture for the cover, and I asked a friend of mine to draw the back.

Harpo Marx looks like a musical comedy.

What gets people into trouble with records now is that they want to build something up without substantial musical ideas. Without that as a foundation, you can add all the layers of sound you want - it's still going to sound like a mess.

I always look for the weirdest note to land on. I felt that that was the least I could do for the great musical traditions which I've spawned.

Although I don't come from a musical background, I was given piano lessons along with my sisters, but I wasn't what you would call a good student. I tended to write songs rather than do scales.

Harmony is an obscure and difficult musical science, but most difficult to those who are not acquainted with the Greek language; because it is necessary to use many Greek words to which there are none corresponding in Latin.

I knew in my heart I wanted to do musical theater professionally. I just didn't know how to go about it or how to communicate that to my parents.

I really think that the 'Jersey Boys' musical - and this is just my opinion - lends itself to being cinematic in some way, because it's a jukebox musical; the characters break into song only for the scene transitions.

My father set a strict regimen for me. He insisted that I learn to play many musical instruments before I choose one.

My mom took my sister and I to music classes. We used to hate practising as kids but my grandma used to make it fun by playing musical games with us.

Yeah, it's a lot harder to find a musical partner than a love partner.

From a musical standpoint, I was inspired by '90s hip hop, with a lot of drums and the tempos. I'm always inspired by David Bowie and Prince.

I wish I had come along when the studios were making those big musical pictures. It would be great to do re-makes of some of the old ones like 'Porgy and Bess' or 'Showboat.' I'd love to do 'em.

Hellhammer is the best drummer ever, and Euronymous is a musical genius.

My musical roots and inspiration lie not in rock n' roll or metal music, but first and foremost in classical music, balalaika, and in underground house music.

Nobody in my family was musical. I had no idea you could be a songwriter and make a living at it. It was all discovery. It was all just thrown at me.

No one deserves anything more than anybody else. Because of that fact, you treat everyone the exact same way as best as you can. Same with musical ideas. My ideas aren't better than anybody else's.

I was always a visual artist my whole life, and I came to music really late - when I was 21 or 22 was the first time I ever touched a musical instrument. For me, it was always this fun side hobby.

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