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Some musical directors have more chutzpah. They pick up the phone and talk people into giving. I prefer to call and say 'thank you' after the money has been contributed.

You might say that Richard Wagner was the Queen Victoria of Europe. He had musical children everywhere!

I was a really camp child! In the 70s, an age of all these amazing musical subcultures, I was sitting in my living room singing to my dad's Streisand records.

I consider myself very lucky, essentially - I was put into a pop group even though my musical taste was very niche before.

A lot of EDM is not bad at all when it's simple, but a lot of it is not really musical. That's just what I really like to do: taking what I had at the beginning, which is classical and jazz influences, and putting it into electro.

My whole background, my whole life was just lots and lots of theater, a lot of that being musical theater.

To get to record and to do things with the legends, and with the people that are your musical heroes, that's the biggest honor as an artist.

Without a doubt, I'd love to do Broadway. I actually can't wait to get back to musical theater.

Right when 'High School Musical' was taking off, one of my little cousins called and was really excited to tell me there was a huge 'I Hate Zac Efron' club at her school. I'm sure they're doing great. More power to them.

It would definitely be fun to do a musical one day.

I was acting since I was a kid, going to drama classes and being involved in every school play and musical that I could get my hands on, so it was something that was a part of me from a very early age.

I grew up in a family that was very musical, learned the blues and everything like that. And I became a little bit frustrated with the simplicity of rock n' roll and blues. I started listening to a lot of classical music - mainly Bach, Vivaldi.

I had an Arabic background. but I lived a very scattered childhood. I didn't belong to any one culture, which meant I didn't have musical geographies in my head.

I have been whistling songs from childhood. I suppose it compensated for a lack of singing voice and satisfied my musical appetite.

I too once thought of producing a musical play on Tyagaraja. People fell at my feet, saying please don't commit such a folly.

Wisin is my brother. He always will be my brother. We are very happy as solo artists. We had a great musical trajectory together, which will be there forever. And for the future, we won't discard reuniting and making something new.

Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting.

Usually, I think you have most of your musical influences locked down by the time you're 16.

All I ever wanted to do when I was a kid was be in a Broadway musical and to be in 'Star Trek,' and I can finally say I've done that.

If Beethoven could write his 'Eroica Symphony' stone deaf, then William Wyler can do a musical.

'Story of My Life' was essentially a two-man musical play. In hindsight, I don't know if there was room for a two-man musical on Broadway.

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