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I don't get bothered by the media. There is nothing in the media that makes me lose any sleep at night.
You go through mental preparation the night before the game and prepare for moments of trauma in a game when it happens.
If you didn't relax away from your work, you'd tear your hair out in the middle of the night worrying about the next game when it's only a Monday and you're not playing until Saturday.
The idea is every time I go to a show, that night or the next morning I write it down in the gig log. Sometimes they're very scant, sometimes they're very long.
Writing a screenplay's not rocket science, but I was in a bar, and the bartender came up to me and said, 'I saw 'Night at the Museum,' and the thing about him and his kid brought me and my kid together.' Something like that... it's like, 'Oh, right. That's why we're doing it.'
If people have ever been around a construction site at night, they'll see a bunch of lights on those machines, and some service trucks there. Those service trucks aren't there just because there's nothing better to do than visit the machinery. It's because that machinery breaks down constantly on Earth, all of the time.
What is life, when wanting love? Night without a morning; love's the cloudless summer sun, nature gay adorning.
When it draws near to witching time of night.
I was a huge Mike Tyson fan, would sit through the night watching boxing matches and would hit the bag at every opportunity I would get.
In front of millions of people that paid to see you at your best, who expect you to be in action-figure shape and condition on that particular night for that moment, you've got to deliver.
If you go to the gym every day, it's not really good. Your muscles get fatigued. Your vocal cords are muscles - they get burned out, they get tired, so you've got to give them the chance to recover and repair during the night.
I never got into the horror genre, and action was fine, but I just loved comedy. Any comedy I could get my hands on, I would. I watched 'Saturday Night Live' religiously.
I had just left 'Saturday Night Live' when I came to 'The Daily Show,' and it just felt like Jon was on my side. I'll always be grateful to him for that. I just got the impression he wanted me to succeed, and then I wanted to succeed for him. I think that's good leadership.
We used to play every night, just touch and pass. There were no iPhones then. I don't want my kid growing up in the street, to be honest, but it was good.
The most nerve-wracking experience is an oral presentation in class. And right under that would be doing 'Saturday Night Live' or 'David Letterman.' One of those shows.
I'm not really a fan of sleep, to be honest with you. I work out at 9:30 or 10 o'clock at night, and sometimes I just keep going. I've never been a big sleeper.
It's the hardest job in telly as a newbie. You're writing standup every night on your own and presenting live TV. It's like a really tough apprenticeship in front of two million people.
Being launched into a show with two million viewers every night made me instantly famous. I found it quite difficult to deal with but it got easier.
I love ghosts. I've actually seen a couple of spirits in my life and almost every single night, till today, I try and watch a scary film.
When I came to Spain, people thought I would fly home again after the holidays, stay up all night celebrating, and would have no discipline. That may be true of other players, but it's not my way.
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