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When Marvin and I are on a date night, we keep our phones in our bags. If you're out for dinner, enjoy it! I find it bizarre that you would pay for an expensive meal to just Snapchat through all of it.
If we're going for a date night that's what we'll have because I feel like it's the thing that I can't really cook myself. If I go out I want it to be something that I wouldn't do at home.
Some nights I lie awake at night thinking, 'What's going to stop someone from smashing a chair through my window and coming in the house at two in the morning?' It is very unnerving. It's a realistic scare, which is the worst kind of scare that you could have.
I only ever play Vegas one night at a time. It's a hideous, gaudy place; it may not be the end of the world per se, but you can certainly see it from there.
I grew up in a very 'Friday Night Lights,' sports-focused town. I did not play the sports. I was never bullied physically, but I was called names. I was also an overweight kid. I knew what it's like to feel like the other, to feel written off for things that were not in my control - my appearance, my interests.
I never used to tell jokes on stage. Now I'm cutting up jokes all night long.
After I'd met her, a mutual friend prompted me to ask her out for dinner, but she said she had a night shoot. I thought it was her gentle way of rejecting me. The next day she invited me for a drink at the Pierre hotel, which turned into a three-hour talk.
Sure, theater is tough because you're not home at night a lot and you work on weekends - every job has its downside. But to do something that you love doing for two hours a night, that's a pretty sweet gig.
If something looks like a tax avoidance scheme, then that's probably what it is - and there's lots of clever people working day and night to close them down.
The night before, go over your schedule and see what you're going to do and what the purpose of what you're doing is. I advocate having a two-column schedule. On the left, put down all your appointments and phone calls. On the right, put down what the purpose is.
Yuri's Night is a world celebration for everyone who's interested in a human presence in space - without concern for politics, the Cold War, countries that do and don't have space programs.
It's marvelous when you visit Tokyo: they have these clubs, and they'll have 'Motown Night' or 'The Beatles - Totally Authentic and Live!' You know it's shrunk, but at least there's some sort of youthful figure to it. Whereas, the blues scene in Europe is more like, 'Here we go again.'
The British 'A Night to Remember' is so beautifully done and so well-constructed.
Television has created a nation of news junkies who tune in every night to get their fix on the world.
In addition to psychopaths, 'Quantum Night' is also a novel about literally thoughtless people, without inner voices, thoughts in their heads.
A great man is a torch in the darkness, a beacon in superstition's night, an inspiration and a prophecy.
I don't get bothered by the media. There is nothing in the media that makes me lose any sleep at night.
You go through mental preparation the night before the game and prepare for moments of trauma in a game when it happens.
If you didn't relax away from your work, you'd tear your hair out in the middle of the night worrying about the next game when it's only a Monday and you're not playing until Saturday.
The idea is every time I go to a show, that night or the next morning I write it down in the gig log. Sometimes they're very scant, sometimes they're very long.
Writing a screenplay's not rocket science, but I was in a bar, and the bartender came up to me and said, 'I saw 'Night at the Museum,' and the thing about him and his kid brought me and my kid together.' Something like that... it's like, 'Oh, right. That's why we're doing it.'
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