A novel is a journey into your own soul, and you seek there to discover those things that you share with all others.
Richard FlanaganRead
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A novel is a journey into your own soul, and you seek there to discover those things that you share with all others.
Of course there is no denying the possible pleasure of holing up with a fat, slow-moving, mediocre novel; still, we all know that we can indulge ourselves in that fashion only so much. In the end, we read not for reading's sake, but to learn.
I'm not sure I have the physical strength to undertake a novel.
My parents came from Calcutta. They arrived in Cambridge, much like the parents in my novel. And I found myself sort of caught between the world of my parents and the world they had left behind and still clung to, and also the world that surrounded me at school and everywhere else, as soon as I set foot out the door.
That larger story in 'Salvage the Bones' is just about survival, and I think that, in the end, there are things about this novel and about these characters' experiences that make their stories universal stories.
I've always been impelled to say the truth. When I was 14, in 1954, I already wrote a gay novel, though I'd never read one. I felt that life handed me a great subject, gay life, that had scarcely been examined, and I was impelled to record it in all its strange detail.
I tried once in my life to write a novel. I had written something like 80 pages of it when my laptop got stolen. When I told people this, they acted as if something tragic had happened, but I kind of felt relieved, grateful to the thief who saved me from another year of something that felt more like homework than fun.
You are - all your experience just kind of accumulates, and the novel takes a richness of its own simply because it has the weight of all those years that one's put into it.
The state of childhood resonates with life inside a fantasy novel. If you have no control over how you spend large chunks of your day, or are at the mercy of flawed giant beings, then the desire to bend the laws of the world by magic is strong and deep.
Short fiction and the novel, nonfiction and fiction, electronic texts and books - these are not opposites. One need not destroy the other to survive.
I believe that the short story is as different a form from the novel as poetry is, and the best stories seem to me to be perhaps closer in spirit to poetry than to novels.
I am a novelist. I traffic in subtleties, and my goal in writing a novel is to leave the reader not knowing what to think. A good novel shouldn't have a point.
I was 12 and read my first romance novel; it was a sweeping desert saga, and I got to the end of it and was like, 'I want to go back and start all over again!' That emotional response to the book and getting to the end of a story you love is what inspires me to write the next book.
Landscape is to American painting what sex and psychoanalysis are to the American novel.
I love words because you can only live one life, but in a novel, you can live a thousand: you contain multitudes.
You can write a short story in two hours. Two hours a day, you have a novel in a year.
I tried writing out a plot with the second or third novel I wrote, and it was so boring, so desperately boring.
The word 'novel' carries, for me, a weight as ominous, all-consuming and unforgiving as any Job encountered.
Writing is a strange and solitary activity. There are dispiriting times when you start working on the first few pages of a novel. Every day, you have the feeling you are on the wrong track. This creates a strong urge to go back and follow a different path. It is important not to give in to this urge but to keep going.
The function of the novel is the exploration of the human condition. Really, that's what it's all about.
I never, ever decided that I had to write a novel because, to me, there's no such decision that ought to be made. It's only something that I felt compelled to do, and it began to evolve.
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