All novelists should live in two different worlds: a real one and an unreal one.
John FowlesRead
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All novelists should live in two different worlds: a real one and an unreal one.
Facts do not cease to exist because they are ignored.
Sometimes writing a novel is not unlike having a baby. You'd have to ask a female novelist to compare the pain.
In my view, the novelist has no right to express his opinions on the things of this world. In creating, he must imitate God: do his job and then shut up.
He was a dreamer, a thinker, a speculative philosopher... or, as his wife would have it, an idiot.
Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth.
A playwright must be his own audience. A novelist may lose his readers for a few pages; a playwright never dares lose his audience for a minute.
It is not in the nature of politics that the best men should be elected. The best men do not want to govern their fellowmen.
The complete novelist would come into the world with a catalog of qualities like this. He would own the concentration of a Trappist monk, the organizational ability of a Prussian field marshal, the insight into human relations of a Viennese psychologist, the discipline of a man who prints the Lord's Prayer on the head of a pin, the exquisite sense of timing of an Olympic gymnast, and by the way, a natural instinct and flair for exceptional use of language.
If human nature does alter it will be because individuals manage to look at themselves in a new way. Here and there people - a very few people, but a few novelists are among them - are trying to do this. Every institution and vested interest in against such a search: organized religion, the state, the family in its economic aspect, have nothing to gain, and it is only when outward prohibitions weaken that it can proceed: history conditions it to that extent.
Amos Oz is one of the finest novelists of this entire period. MY MICHAEL is a beautiful work of great depth and in some indescribable way lingers in the mind as a lyric song to his country's people as much as a moving love story.
There are many reasons why novelists write, but they all have one thing in common - a need to create an alternative world.
About all you can do in life is be who you are. Some people will love you for you. Most will love you for what you can do for them, and some won't like you at all.
So far as love or affection is concerned, psychologists have failed in their mission. The little we know about love does not transcend simple observation, and the little we write about it has been written better by poets and novelists.
Life is to be lived, not controlled, and humanity is won by continuing to play in face of certain defeat.
Neanderthal man listened to stories, if one may judge by the shape of his skull. The primitive audience was an audience of shock-heads, gaping around the camp-fire, fatigued with contending against the mammoth or wooly-rhinoceros, and only kept awake by suspense. What would happen next? The novelist droned on, and as soon as the audience guessed what happened next, they either fell asleep or killed him.
What greater wealth is there than to own your life and to spend it on growing? Every living thing must grow. It can't stand still. It must grow or perish.
Nothing living should ever be treated with contempt. Whatever it is that lives, a man, a tree, or a bird, should be touched gently, because the time is short. Civilization is another word for respect for life.
To call Clive Barker a 'horror novelist' would be like calling the Beatles a 'garage band'... He is the great imaginer of our time. He knows not only our greatest fears, but also what delights us, what turns us on, and what is truly holy in the world. Haunting, bizarre, beautiful.
Never say you know the last word about any human heart.
We waste time looking for the perfect lover, instead of creating the perfect love.
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