Quotes on Old

I can no more reread my own books than I can watch old home movies or look at snapshots of myself as a child. I wind up sitting on the floor, paralyzed by grief and nostalgia.

Down South, there was the old 'ladies-don't-do-such-things' way of thinking. You couldn't be a lady and a good athlete at the same time.

I don't care if someone is new to acting or experienced in acting: you always learn something from them. It's just like people in life - whether they're young or middle-aged or old, you always learn something from someone.

My grandfather died when I was 12, but I remember the sorrow of my mother. Even now, she's an old lady, but when she speaks about her father, she looks young. A love like that is undefeated, you know?

I just wanted to play tennis. It wasn't a job. It was an ambition. I knew I could make money at it. I was 18 - old enough to think I could do it, young enough not to consider the consequences.

I know that some people have different personas for the different things they do, and I'm not criticizing that - maybe it's a good thing - but I'm the same old person, so I take everything in stride.

It takes so long to train a physicist to the place where he understands the nature of physical problems that he is already too old to solve them.

Where nothing in a person's earlier years lends itself to an old age devoted to continuing intellectual and physical pursuits, a late-life interest in Tolstoy or even crossword puzzles is unlikely to appear, no matter the urging by well-intentioned social workers or people like me who write books about it.

If you don't have a real stake in the new, then just surviving on the old - even if it is about efficiency - I don't think is a long-term game.

Scripture is filled with examples of men and women whom God used late in life, often with great impact - men and women who refused to use old age as an excuse to ignore what God wanted them to do.

I think it's a very old and deep-seated double standard that holds that when a man writes about family and feelings, it's literature with a capital L, but when a woman considers the same topics, it's romance, or a beach book - in short, it's something unworthy of a serious critic's attention.

A 30-year-old rock climber is an old man. At 40, one is in the middle of his high-altitude power. At 50, a crosser of deserts is at his best age. But at 60, each of us is out of the game.

I intend to be making films until I'm an old lady. So, if God willing I get there, I need to create a paradigm for myself where I can make it regardless of whether or not they still like what I'm making.

I have a saying: There are no brave old people in finance. Because if you're brave, you mostly get destroyed in your 30s and 40s. If you make it to your 50s and 60s and you're still prospering, you have a very good sense of how to avoid problems and when to be conservative or aggressive with your investments.

I feel old only when I look at my hands or at myself in the mirror.

Actors are always afraid of ending up like overcooked old soup over time. What's risky is that you don't realize this has happened, and you just get thick and boring. Going abroad was like getting a new pot to cook everything again. I was a rookie, a new self. And they were asking me, 'Who are you?'

What I quickly discovered is that our so-called new South Africa has as much material for a story-teller as the old one. The landscape hasn't really changed. Who is in power now is different to who was in power then, but the squatter camps grow like cancer, the rich get richer, the poor get poorer.

If I was a boy, nobody would care that I worked out six, seven hours a day when I was 9 years old, no? Why were people always saying 'poor little girl?' I liked to work out and always did more than I was asked to.

'Star Trek' episodes always insisted that humanity is on its bumpy way to what will be a glorious future in the 23rd century, in which we will have left most of our old selfishness - and old hatreds and prejudices - far behind us.

You get older and come to the conclusion that it's a great gig making music. Even if you turn into an old gnarly fart, no one cares what you look like if you write good songs - the only gig is to sing well and perform.

Know what the old masters did. Know how they composed their pictures, but do not fall into the conventions they established. These conventions were right for them, and they are wonderful. They made their language. You make yours. All the past can help you.