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Haven, don't ask me to define the boundaries of normal. You know how I was raised. My father once struck strands of his own pubic hair onto a painting and sold it for a million dollars.
Painting is not made to decorate apartments. It's an offensive and defensive weapon against the enemy. (about Guernica).
You have made me ashamed of the wasted years. You have made me acknowledge that no darkness has ever been deep enough to extinguish my personal knowledge of love. And all around me in this world I see evidence of love. I see love. I see it in the human struggle. I see its undeniable penetration in all that humans have accomplished in their poetry, their painting, their music, their love of one another and refusal to accept suffering as their lot.
My life is a creative act--like a painting, or a concerto.
The only time I feel alive is when I'm painting.
Stealing, of course, is a crime, and a very impolite thing to do. But like most impolite things, it is excusable under certain circumstances. Stealing is not excusable if, for instance, you are in a museum and you decide that a certain painting would look better in your house, and you simply grab the painting and take it there. But if you were very, very hungry, and you had no way of obtaining money, it would be excusable to grab the painting, take it to your house, and eat it.
It is to be remembered that all art is magical in origin - music, sculpture, writing, painting - and by magical I mean intended to produce very definite results. Paintings were originally formulae to make what is painted happen. Art is not an end in itself, any more than Einstein's matter-into-energy formulae is an end in itself. Like all formulae, art was originally FUNCTIONAL, intended to make things happen, the way an atom bomb happens from Einstein's formulae.
The great advances of civilization, whether in architecture or painting, in science or literature, in industry or agriculture, have never come from centralized government.
You struggle with your demons and you conquer them.
If I had been around when Rubens was painting, I would have been revered as a fabulous model. Kate Moss? Well, she would have been the paintbrush.
The first night Stephen and I slept together, he whispered numbers into my ear: long, high numbers -- distances between planets, seconds in a life. He spoke as if they were poetry, and they became poetry. Later, when he fell asleep, I leaned over him and watched, trying to picture a mathematician's dreams. I concluded that Stephen must dream in abstract, cool designs like Mondrian paintings.
Painting is the silence of thought and the music of sight.
I needed an outlet in high school and came across painting. I've actually been painting longer than I've been acting. A movie is a collaborative effort, and with painting you just have yourself.
Sitting in the Oval Office, beneath a painting of George Washington, with a bust of Martin Luther King Jr. over his right shoulder and a bust of Abraham Lincoln over his left shoulder, Obama told 'National Journal' that the country's economic woes are deep and endemic.
Knowing what paint a painter uses or having an understanding of where he was in the history of where he came from doesn't hurt your appreciation of the painting.
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