The present was an egg laid by the past that had the future inside its shell.
Zora Neale HurstonRead
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The present was an egg laid by the past that had the future inside its shell.
For the first time in the history of mankind, one generation literally has the power to destroy the past, the present and the future, the power to bring time to an end.
The essence of statesmanship is not a rigid adherence to the past, but a prudent and probing concern for the future.
There is no past we can bring back by longing for it. There is only an eternal now that builds and creates out of the past something new and better.
One faces the future with one's past.
He doesn't know which is worse, a past he can't regain or a present that will destroy him if he looks at it too clearly. Then there's the future. Sheer vertigo.
The sun came through the branches of the tree above her, and Ruth looked up past them. "I think she listens," she said, too softly to be heard.
I never had intimate friends, and the few who came close are in New York. By which I mean they're dead, because that's where I suppose condemned souls go in order not to endure the truth of their past lives.
The one charm about the past is that it is the past. But women never know when the curtain has fallen.
Time can divorce us from the reality of people, it can separate us from people and turn them into ghosts. Or rather it is we who turn them into ghosts or demons. Some kinds of fruitless preoccupations with the past can create such simulacra, and they can exercise power, like those heroes at Troy fighting for a phantom Helen.
He poured the tumbler full. Drink up, he said. The world goes on. We have dancing nightly and this night is no exception. The straight and the winding way are one and now that you are here what do the years count since last we two met together? Men's memories are uncertain and the past that was differs little from the past that was not.
There is no greater grief than to find no happiness, but happiness in what is past.
It is unthinkable in the twentieth century to fail to distinguish between what constitutes an abominable atrocity that must be prosecuted and what constitutes that "past" which "ought not to be stirred up.
I found a Bill Evans record in the bookcase and was listening to it while drying my hair when I realized that it was the record I had played in Naoko's room on the night of her birthday, the night she cried and I took her in my arms. That had happened only six months earlier, but it felt like something from a much remoter past. Maybe it felt that way because I had thought about it so often-too often, to the point where it had distorted my sense of time.
It is a time when one’s spirit is subdued and sad, one knows not why; when the past seems a storm-swept desolation, life a vanity and a burden, and the future but a way to death. It is a time when one is filled with vague longings; when one dreams of flight to peaceful islands in the remote solitudes of the sea, or folds his hands and says, What is the use of struggling, and toiling and worrying any more? let us give it all up.
The past can't hurt you anymore. Not unless you let it. They made you into a victim, Evey. They made you into a statistic. But, that's not the real you. That's not who you are inside.
I say I'm in love with her. What does that mean? It means I review my future and my past in the light of this feeling. It is as though I wrote in a foreign language that I am suddenly able to read. Wordlessly, she explains me to myself. LIke genius she is ignorant of what she does.
Photographs are a way of imprisoning reality, understood as recalcitrant, inaccessible; of making it stand still. One can't possess reality, one can possess (and be possessed by) images — as, according to Proust, most ambitious of voluntary prisoners, one can't possess the present but one can possessthe past.
In dark ages people are best guided by religion, as in a pitch-black night a blind man is the best guide; he knows the roads and paths better than a man who can see. When daylight comes, however, it is foolish to use blind, old men as guides.
How can I tell," said the man, "that the past isn't a fiction designed to account for the discrepancy between my immediate physical sensations and my state of mind?
I know not why there is such a melancholy feeling attached to the remembrance of past happiness, except that we fear that the future can have nothing so bright as the past.
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