Quotes on Pops

Pop culture was in art _x000D_ Now, art's in pop culture in me

This false distance is present everywhere: in spy films, in Godard, in modern advertising, which uses it continually as a cultural allusion. It is not really clear in the end whether this 'cool' smile is the smile of humour or that of commercial complicity. This is also the case with pop, and its smile ultimately encapsulates all its ambiguity: it is not the smile of critical distance, but the smile of collusion

Many of our greatest musicians abandoned all of their aesthetic objectives to try to become pertinent. And, at the end of the day, they never became pop stars. I counter stated that very strongly, and I continue to do that.

Every generation throws a hero up the pop charts.

When you're 25, it's a little bit easier to be daring, especially if you are a pop star, because eccentric behavior is expected from you.

Celebrity life and media culture are probably the most overbearing pop-cultural conditions that we as young people have to deal with, because it forces us to judge ourselves.

Good morning, daddy! Ain't you heard The boogie-woogie rumble Of a dream deferred? Listen closely: You'll hear their feet Beating out and beating out a - You think It's a happy beat? Listen to it closely: Ain't you heard something underneath like a - What did I say? Sure, I'm happy! Take it away! Dream Boogie Hey, pop! Re-bop! Mop! Y-e-a-h!

I'm not interested, Larry, in being a perfect, plastic pop singer that looks great in bikinis and is on the cover of every magazine. I'm more interested in helping my fans to love who they are, and helping them to reject prejudice and reject those things that they're taught from society to not like themselves, to feel like freaks, that they're not wanted.

I, of course, wanted to play real jazz. When we played pop tunes, and naturally we had to, I wanted those pops to kick! Not loud and fast, understand, but smoothly and with a definite punch.

With few exceptions, every major pop singer in the US during her generation has been touched in some way by her genius. It is Billie Holiday who was, and still remains, the greatest single musical influence on me. Lady Day is unquestionably the most important influence on American popular singing in the last twenty years.

You know the theory of cell irritability? If you take an amoeba cell and poke it a thousand times, it will change and then re-form into its original shape. And then, the thousandth time you poke this amoeba, the cell will completely collapse and become nothing. That's kind of what it's like being famous. People say hi, how are you doing, and after the thousandth time, you just get angry; you really pop.

Music is for people. The word 'pop' is simply short for popular. It means that people like it. I'm just a normal jerk who happens to make music. As long as my brain and fingers work, I'm cool.

I don't really know why an idea comes to me. But all of a sudden, an idea comes and from experience I can intuit what something means when an interesting line pops up. Or I can intuit what an interesting choice might be. And I can try a couple of different choices, and see which one feels right, and then continue the song to see where it goes.

There's that bubble of childhood that makes you innocently do anything. Then, when you get older, that pops, and you're aware of limitations and judgment and social pressures and things like that.

If you're not sure what to do with the ball, just pop it in the net and we'll discuss your options afterwards.

All of us, whether or not we are warriors, have a cubic centimeter of chance that pops out in front of our eyes from time to time. The difference between an average man and a warrior is that the warrior is aware of this, and one of his tasks is to be alert, deliberately waiting, so that when his cubic centimeter pops out he has the necessary speed, the prowess, to pick it up.

Rock'n'roll as a genre is different from pop and hip hop: it is about bands, and that for me suggests brotherhood, family, friendship and community.

I love New York. You can pop out of the Underworld in Central Park, hail a taxi, head down Fifth Avenue with a giant hellhound loping behind you, and nobody even looks at you funny.

I see manuscripts and books that are spoiled for the literary reader because they are one long stream of top-of-the-head writing, a writer telling a story without concern for precision or freshness in the use of language. Some of this storytelling reads as if it were spoken rather than written, stuffed with tired images that pop into the writer's head because they are so familiar. The top of the head is fit for growing hair, but not for generating fine prose.

Beautiful sentences pop into my head. Beautiful sentences that aren't always absolutely accurate. Then, I have to choose between the beautiful sentence and being absolutely accurate. It can be a difficult choice.

Pop culture has entered into a nostalgic malaise. Online culture is dominated by trivial mashups of the culture that existed before the onset of mashups, and by fandom responding to the dwindling outposts of centralized mass media. It is a culture of reaction without action.