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During this time I had the singular good fortune of being able to discuss the problem constantly with Einstein. Some experiments done at Einstein's suggestion yielded no decisively new result.
The overarching problem is one of the survival of humanity in the face of the growing nuclear menace. If those bombs go off, nothing else would matter.
Some of my ideas were shot down by Lucasfilm because they stepped on territory that has been reserved for the movies. I didn't have a problem with that.
I've learned that I get blocked when my subconscious mind is telling me that I've taken the work in a wrong direction, and that once I start listening to what my subconscious is trying to tell me, I can work out the problem and get moving again.
The problem with most people is that they think with their hopes or fears or wishes rather than their minds.
The problem of suffering is: why is there the suffering we know?
In all three cases, and for most human beings, the problem of suffering poses no difficult problem at all: one has a world picture in which suffering has its place, a world picture that takes suffering into account.
The problem of the minimum dwelling is that of establishing the elementary minimum of space, air, light, and heat required by man in order that he be able to fully develop his life functions without experiencing limitations due to his dwelling, i.e. a minimum modus vivendi in place of a modus non moriendi.
I think that addiction is a very, very important thing that has to be treated, but has to be treated as a health problem and not as a police problem.
The real problem with the art world is not the money men scavenging in its wake - they've always been there - but the pirates who've taken over the ship. I am thinking, of course, of that awful art world species: the curator.
Nobody has a problem if you promote your child, even they are incompetent or have no merit. It's fine, it's your child, your money. But the problem comes when you destroy my career to protect your child's or your friend's career.
I have always had a problem releasing my films.
Like Nemesis of Greek tragedy, the central problem of America after the Civil War, as before, was the black man: those four million souls whom the nation had used and degraded, and on whom the South had built an oligarchy similar to the colonial imperialism of today, erected on cheap colored labor and raising raw material for manufacture.
The problem of the twentieth century is the problem of the color line: the relation of the darker to the lighter races of men in Asia and Africa, in America and the islands of the sea.
It can be safely asserted that since early Colonial times, the North has had a distinct race problem. Every one of these States had slaves, and at the beginning of Washington's Administration, there were 40,000 black slaves and 17,000 black freemen in this section.
The problem with Instagram is people aren't portraying their real selves.
The problem with West Indies cricket is that the talent is there but there is no cohesion. Everybody's pulling in different directions; the players, the selectors, the management.
There is no problem with the opening of new houses of prayer for Lutherans and Pentecostals.
In the earliest days, this was a project I worked on with great passion because I wanted to solve the Defense Department's problem: it did not want proprietary networking and it didn't want to be confined to a single network technology.
I have no problem doing the same type of roles. But those who understand acting technique, and watched me in 'Mardaani 2,' might have observed the nuances, variations I can bring into a character.
Kidney disease is a low-profile, unglamorous problem, a disease that disproportionately strikes minorities and the poor. Its celebrity spokesman is blue-collar comedian George Lopez, who received a kidney from his wife.
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