I think I give the impression of being a romantic, and I think inside I'm quite severe. But some might say they had the opposite impression of me.
Tom StoppardRead
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I think I give the impression of being a romantic, and I think inside I'm quite severe. But some might say they had the opposite impression of me.
I live in a post-Christian world in Oxford; it is quite rare to meet somebody who is religious in academic life now, and there is absolutely no tendency for rioting and mayhem, and it is extremely civilised.
It gets quite difficult for me when I listen to pop music. I don't often understand the words, but when someone translates them to me, I think, 'What is this song representing? That women are just there to be treated like objects?'
I'm interested in that drive, that rush to judgment, that is so prevalent in our society. We all know that pleasurable rush that comes from condemning, and in the short term it's quite a satisfying thing to do, isn't it?
I don't think about a legacy; I think about my life, because I've had quite an unpredictable life.
What is scary to me is silly to somebody else. CG isn't scary to me. It's like comedy - comedy and horror are quite similar, in that there'll always be somebody who'll say, 'I don't think that was funny.' And it's the same with things that are meant to be scary.
Being an actress, I find myself people-watching and I can be quite shy.
Countries which receive aid do graduate. Within a generation, Korea went from being a big recipient to being a big aid donor. China used to get quite a bit of aid; now it's aid-neutral.
I've always felt quite singular, even as a child. That I must stay on track to keep my purpose.
We have to put aside the customary historical reading of works of art in order to invite art to respond to certain quite specific pains and dilemmas of our psyches.
I'm really quite simple. I plant flowers and watch them grow... I stay at home and watch the river flow.
There's quite a bit of evidence that even professionals don't show any ability to pick stocks or to predict market rollbacks. Most of the people we identify as skilled based on returns have probably just been lucky.
By definition, of course, we believe the person with a stigma is not quite human. On this assumption we exercise varieties of discrimination, through which we effectively, if often unthinkingly, reduce his life chances.
The experiments show quite clearly that, as you resist more and more temptation, you're actually more and more likely to fail.
My mother was an introvert and quite religious. And we were brought up in the church. And when she learned that I wanted to act, she simply said: 'You cannot live here and do that.'
I've never quite understood that feeling: that you arrive in a strange place, yet you want to have nothing but familiar experiences.
We've got a thing called the 'tall poppy syndrome' in New Zealand, where if anyone is doing really well, it's quite common to try and bring them down - like, cut them down and say, 'You've been to the moon? So what? I mean, plenty of people have been to the moon.'
I come from a country whose idea of masculinity is quite extreme, and I've grown up around a lot of that energy. I've been part of that a lot. And it's very draining; it's quite tiring trying to be macho.
While it is quite reasonable for scientists to be skeptical of new ideas that do not fit within the accepted realm of scientific knowledge, the best science often emerges from situations where results carefully obtained do not fit within the accepted paradigms.
If spiritual science is to do the same for spirit that natural science has done for nature, it must investigate quite differently from the latter. It must find ways and means of penetrating into the sphere of the spiritual, a domain which cannot be perceived with outer physical senses nor apprehended with the intellect which is bound to the brain.
There are times when a falsehood well told bridges over quite a difficulty, but in the long run, you had better tell the truth, even if you swim the creek.
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