As well might it be said that, because we are ignorant of the laws by which metals are produced and trees developed, we cannot know anything of the origin of steamships and railways
Alfred Russel WallaceRead
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As well might it be said that, because we are ignorant of the laws by which metals are produced and trees developed, we cannot know anything of the origin of steamships and railways
My father was a Japanese prisoner of war, a survivor of the Thai-Burma Death Railway, built by a quarter of a million slave labourers in 1943. Between 100,000 and 200,000 died.
We live on the flat, on the level, and yet - and so - we aspire. Groundlings, we can sometimes reach as far as the gods. Some soar with art, others with religion; most with love. But when we soar, we can also crash. There are few soft landings. We may find ourselves bouncing across the ground with leg-fracting force, dragged towards some foreign railway line. Every love story is a potential grief story. If not at first, then later. If not for one, then for the other. Sometimes, for both.
I grew up in a haunting postindustrial landscape where prehistoric ferns grew among tens of railway tracks surmounted by brilliant arc lights where birds nested and sang in the dead of night, because for them, it was day.
Wealth and speed are what the world admires, what each pursues. Railways, express mails, steamships and every possible facility for communications are the achievement in which the civilized world view and revels, only to languish in mediocrity by that very fact. Indeed, the effect of this diffusion is to spread the culture of the mediocre.
The life my people want is a life of freedom. I have seen nothing that a white man has, houses or railways or clothing or food, that is as good as the right to move in the open country and live in our fashion.
In all the history of organized labor, from the earliest times to the present day, no body of union workingmen ever served in a more humiliating and debasing role than that in which the railway unions appear at this very hour before the American people and the world.
I like being on my own better than I like anything else, but I can't give up love. Maybe it's the tension between longing and aloneness that I need. My own funicular railway, holding in balance the two things most likely to destroy me.
Suppose the looking glass smashes, the image disappears, and the romantic figure with the green of forest depths all about it is there no longer, but only that shell of a person which is seen by other people - what an airless, shallow, bald, prominent world it becomes! A world not to be lived in. As we face each other in omnibuses and underground railways we are looking into the mirror that accounts for the vagueness, the gleam of glassiness, in our eyes.
libraries are fascinating places: sometimes you feel you are under the canopy of a railway station, and when you read books about exotic places there's a feeling of travelling to distant lands
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