Quotes on Reader

A story was a form of telepathy. By means of inking symbols onto a page, she was able to send thoughts and feelings from her mind to her reader's. It was a magical process, so commonplace that no one stopped to wonder at it.

Once, in my father's bookshop, I heard a regular customer say that few things leave a deeper mark on a reader than the first book that finds its way into his heart. Those first images, the echo of words we think we have left behind, accompany us throughout our lives and sculpt a palace in our memory to which, sooner or later—no matter how many books we read, how many worlds we discover, or how much we learn or forget—we will return.

Anyway -- because we are readers, we don't have to wait for some communications executive to decide what we should think about next -- and how we should think about it. We can fill our heads with anything from aardvarks to zucchinis -- at any time of night or day.

Don't say it was delightful; make us say delightful when we've read the description. You see, all those words (horrifying, wonderful, hideous, exquisite) are only like saying to your readers Please will you do the job for me.

I would give them (aspiring writers) the oldest advice in the craft: Read and write. Read a lot. Read new authors and established ones, read people whose work is in the same vein as yours and those whose genre is totally different. You've heard of chain-smokers. Writers, especially beginners, need to be chain-readers. And lastly, write every day. Write about things that get under your skin and keep you up at night.

If one cannot enjoy reading a book over and over again, there is no use in reading it at all.

Oftentimes I deliberately put ambiguity into my books so that... the reader is left with an echo of: 'How much of this was from me?'

ELEGY, n. A composition in verse, in which, without employing any of the methods of humor, the writer aims to produce in the reader's mind the dampest kind of dejection.

O Reader! had you in your mind Such stores as silent thought can bring, O gentle Reader! you would find A tale in everything.

O Day of days when we can read! The reader and the book, either without the other is naught.

I want 'Vogue' to be pacy, sharp, and sexy - I'm not interested in the super-rich or infinitely leisured. I want our readers to be energetic executive women, with money of their own and a wide range of interests. There is a new kind of woman out there. She's interested in business and money.

The cry that 'fantasy is escapist' compared to the novel is only an echo of the older cry that novels are 'escapist' compared with biography, and to both cries one should make the same answer: that freedom to invent outweighs loyalty to mere happenstance, the accidents of history; and good readers should know how to filter a general applicability from a particular story.

Are you a reader? If you aren't a reader, you might as well forget trying to be a writer.

What lasts in the reader's mind is not the phrase but the effect the phrase created: laughter, tears, pain, joy. If the phrase is not affecting the reader, what's it doing there? Make it do its job or cut it without mercy or remorse.

As a rule, I don't worry about genre. I just want to tell a good story, with characters that interest me and my readers.

Women, I believe, search for fellow beings who have faced similar struggles, conveyed them in ways a reader can transform into her own life, confirmed desires the reader had hardly acknowledge-desires that now seem possible. Women catch courage from the women whose lives and writings they read, and women call the bearer of that courage friend. [p. 138]

If my books can help children become readers then I feel I have accomplished something important.

An author spends months writing a book, and maybe puts his heart's blood into it, and then it lies about unread till the reader has nothing else in the world to do.

There is no shortage of wonderful writers. What we lack is a dependable mass of readers.

For me, the game would be to assume a very intelligent reader who can extrapolate a lot from a little. And that's become my definition of art; to get that pitch just right, where I can put a hint on page three, and the reader's ears go up a bit, as opposed to dropping it all on the first page.

You thunder and lightning too much; the reader ceases to get under the bed, by and by.