I have never known a novel that was good enough to be good in spite of its being adapted to the author's political views.
Edith WhartonRead
The cry that 'fantasy is escapist' compared to the novel is only an echo of the older cry that novels are 'escapist' compared with biography, and to both cries one should make the same answer: that freedom to invent outweighs loyalty to mere happenstance, the accidents of history; and good readers should know how to filter a general applicability from a particular story.
Interpretation
Fantasy offers a freedom of creativity that is often undervalued compared to more grounded forms of storytelling.
In this quote, Tom Shippey argues that labeling fantasy as merely escapist, much like the past criticism of novels compared to biographies, overlooks the intrinsic value of imaginative storytelling. He emphasizes that the ability to invent and create new worlds and narratives holds more significance than merely adhering to factual historical events; good readers are encouraged to recognize and extract general truths from specific fictional stories.
In practice
This quote could be used in a discussion on the value of genre fiction at a literary festival.
I have never known a novel that was good enough to be good in spite of its being adapted to the author's political views.
By God, if women had written stories, As clerks had within here oratories, They would have written of men more wickedness Than all the mark of Adam may redress.
Translations are a partial and precious documentation of the changes the text suffers.
In my case, literature is a kind of revenge. It's something that gives me what real life can't give me - all the adventures, all the suffering. All the experiences I can only live in the imagination, literature completes.
All told, she owned fourteen books, but she saw her story as being made up predominantly of ten of them. Of those ten, six were stolen, one showed up at the kitchen table, two were made for her by a hidden Jew, and one was delivered by a soft, yellow-dressed afternoon.
I sent The World Well Lost to one editor who rejected it on sight, and then wrote a letter to every other editor in the field warning them against the story, and urging them to reject it on sight without reading it.
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