Is not the most erotic part of the body wherever the clothing affords a glimpse?
Roland BarthesRead
Literature is that which he can not read without pain, without choking on truth.
Interpretation
Literature can expose harsh truths that may cause discomfort or challenge our perceptions.
In this quote by Roland Barthes, he emphasizes that literature often contains profound truths that can be difficult for individuals to confront. The act of engaging with such literature may evoke a visceral reaction, as it forces readers to grapple with realities that can be painful or unsettling, ultimately highlighting the powerful role of literature in shaping human experience and understanding.
In practice
In a book club discussion, one might introduce this quote to emphasize the challenging nature of literature.
Is not the most erotic part of the body wherever the clothing affords a glimpse?
If I acknowledge my dependency, I do so because for me it is a means of signifying my demand: in the realm of love, futility is not a "weakness" or an "absurdity": it is a strong sign: the more futile, the more it signifies and the more it asserts itself as strength.)
The gesture of the amorous embrace seems to fulfill, for a time, the subject's dream of total union with the loved being: The longing for consummation with the other.
The text is a tissue of quotations drawn from the innumerable centres of culture.
I think that cars today are almost the exact equivalent of the great Gothic cathedrals: I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates them as a purely magical object.
All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
I remember going into a bookshop, and the only book I saw with a black child on the cover was 'A Thief in the Village' by James Berry, and I thought, 'Is this still the state of publishing?' Then I thought, 'Either I can whine about it or try to do something about it.'
I am a firm believer that a good plot makes for a fun enough read, but it's not what binds us. If we don't care about the characters, we won't care - not in a lasting way - about what's happening to them.
What I felt was, if you spend your life just writing fiction, you are going to falsify your material. And the fictional form was going to force you to do things with the material, to dramatize it in a certain way. I thought nonfiction gave one a chance to explore the world, the other world, the world that one didn't know fully.
If a secret history of books could be written, and the author's private thoughts and meanings noted down alongside of his story, how many insipid volumes would become interesting, and dull tales excite the reader!
Fiction is a lie that is told in the service of truth.
It is the nobility of their style which will make our writers of 1840 unreadable forty years from now.
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