You could tell 'The Handmaid's Tale' from a male point of view. People have mistakenly felt that the women are oppressed, but power tends to organise itself in a pyramid. I could pick a male narrator from somewhere in that pyramid. It would interesting.
Interpretation
This quote suggests that perspectives on oppression and power dynamics can vary significantly depending on the narrator's viewpoint.
Margaret Atwood's quote reflects on the complexity of narratives regarding gender and power. By suggesting that 'The Handmaid's Tale' could be told from a male perspective, she points out that the perception of women's oppression is not universal. Power structures are often hierarchical, and Atwood hints at the idea that understanding these dynamics requires insight into various perspectives within this hierarchy, potentially revealing that the narrative of oppression can be viewed differently depending on who is telling the story.
In practice
During a discussion on gender roles in literature.
If I am good enough and quiet enough, perhaps after all they will let me go; but it’s not easy being quiet and good, it’s like hanging on to the edge of a bridge when you’ve already fallen over; you don’t seem to be moving, just dangling there, and yet it is taking all your strength.
I would like to believe this is a story I’m telling. I need to believe it. I must believe it. Those who can believe that such stories are only stories have a better chance. If it’s a story I’m telling, then I have control over the ending. Then there will be an ending, to the story, and real life will come after it. I can pick up where I left off.
What else can I do? Once you've gone this far you aren't fit for anything else. Something happens to your mind. You're overqualified, overspecialized, and everybody knows it. Nobody in any other game would be crazy enough to hire me. I wouldn't even make a good ditch-digger, I'd start tearing apart the sewer-system, trying to pick-axe and unearth all those chthonic symbols - pipes, valves, cloacal conduits... No, no. I'll have to be a slave in the paper-mines for all time.
We love each other, that’s true whatever it means, but we aren’t good at it; for some it’s a talent, for others only an addiction.
I've learned quite a lot, over the years, by avoiding what I was supposed to be learning.
Knowing too much about other people puts you in their power, they have a claim on you, you are forced to understand their reasons for doing things and then you are weakened.
In a word, literature is my Utopia. Here I am not disfranchised. No barrier of the senses shuts me out from the sweet, gracious discourse of my book-friends. They talk to me without embarrassment or awkwardness. The things I have learned and the things I have been taught seem of ridiculously little importance compared with their "large loves and heavenly charities.
In literature the ambition of the novice is to acquire the literary language; the struggle of the adept is to get rid of it.
Quite, quite,' she thought with a little sigh. 'It's always like this in their adventures. To save and be saved. I wish somebody would write a story sometime about the people who warm up the heroes afterward.
When we talk about books, we rarely talk about the economic side of writing, especially of writing literary works, and that, at base, it's a pretty costly enterprise.
Long books, when read, are usually overpraised, because the reader wishes to convince others and himself that he has not wasted his time.
Most American writers don't get asked their opinion on current affairs, whereas in Europe and England, we still do. There are writers here who are the most sophisticated commentators, but they're not asked. Like Don DeLillo, who sort of forecast most of the modern world before it happened.
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