I've been fascinated by Machiavelli since I was very young. I've always felt that he had a bad rap from history, and that he was actually a person quite unlike what we now think of as Machiavellian. He was a republican. He disliked totalitarian government.
Most American writers don't get asked their opinion on current affairs, whereas in Europe and England, we still do. There are writers here who are the most sophisticated commentators, but they're not asked. Like Don DeLillo, who sort of forecast most of the modern world before it happened.
Interpretation
What this quote means
American writers are often overlooked in discussions on current affairs compared to their European counterparts.
In this quote, Salman Rushdie highlights a cultural difference between American and European attitudes towards writers and their insights on current events. He suggests that while in Europe, writers are still seen as valuable commentators on modern issues, American writers like Don DeLillo, who have made significant contributions to understanding contemporary society, are often unrecognized and not consulted in discussions about the state of the world.
Themes
In practice
Example use cases
In a speech about the role of writers in society, this quote could emphasize the importance of valuing literary perspectives.
More from Salman Rushdie
All quotes →Killing people because you don't like their ideas - it's a bad thing.
faith without doubt is addiction
I am clearly vulnerable to these more passionate and volatile unstable relationships. I am trying to not be so vulnerable.
In India, as elsewhere in our darkening world, religion is the poison in the blood. Where religion intervenes, mere innocence is no excuse. Yet we go on skating around this issue, speaking of religion in the fashionable language of 'respect.' What is there to respect in any of this, or in any of the crimes now being committed almost daily around the world in religion's dreaded name?
Reality is a question of perspective; the further you get from the past, the more concrete and plausible it seems - but as you approach the present, it inevitably seems more and more incredible.
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The difference between literature and journalism is that journalism is unreadable and literature is not read.
Every other author may aspire to praise; the lexicographer can only hope to escape reproach.
All novels are fantasies. Some are more honest about it.
From the beginnings of literature, poets and writers have based their narratives on crossing borders, on wandering, on exile, on encounters beyond the familiar. The stranger is an archetype in epic poetry, in novels. The tension between alienation and assimilation has always been a basic theme.
Perhaps they were looking for passion; perhaps they delved into this book as into a mysterious parcel - a gift box at the bottom of which, hidden in layers of rustling tissue paper, lay something they'd always longed for but couldn't ever grasp.