Most American writers don't get asked their opinion on current affairs, whereas in Europe and England, we still do. There are writers here who are the most sophisticated commentators, but they're not asked. Like Don DeLillo, who sort of forecast most of the modern world before it happened.
Interpretation
American writers are often overlooked in discussions on current affairs compared to their European counterparts.
In this quote, Salman Rushdie highlights a cultural difference between American and European attitudes towards writers and their insights on current events. He suggests that while in Europe, writers are still seen as valuable commentators on modern issues, American writers like Don DeLillo, who have made significant contributions to understanding contemporary society, are often unrecognized and not consulted in discussions about the state of the world.
In practice
In a speech about the role of writers in society, this quote could emphasize the importance of valuing literary perspectives.
I've been fascinated by Machiavelli since I was very young. I've always felt that he had a bad rap from history, and that he was actually a person quite unlike what we now think of as Machiavellian. He was a republican. He disliked totalitarian government.
Killing people because you don't like their ideas - it's a bad thing.
faith without doubt is addiction
I am clearly vulnerable to these more passionate and volatile unstable relationships. I am trying to not be so vulnerable.
In India, as elsewhere in our darkening world, religion is the poison in the blood. Where religion intervenes, mere innocence is no excuse. Yet we go on skating around this issue, speaking of religion in the fashionable language of 'respect.' What is there to respect in any of this, or in any of the crimes now being committed almost daily around the world in religion's dreaded name?
Reality is a question of perspective; the further you get from the past, the more concrete and plausible it seems - but as you approach the present, it inevitably seems more and more incredible.
Sometimes I sensed that the books I read in rapid succession had set up some sort of murmur among themselves, transforming my head into an orchestra pit where different musical instruments sounded out, and I would realize that I could endure this life because of these musicales going on in my head.
It's extraordinary how many people read a book that's new and weird and befriend it.
It perhaps might be said--if any one dared--that the most worthless literature of the world has been that which has been written by the men of one nation concerning the men of another.
A man of letters, merely by reading a phrase, can estimate exactly the literary merit of its author.
What Shakespeare was able to do in English he would certainly not have done in French.
Not every novel that wants to be a tragedy gets to be one.
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