What we want is to see the child in pursuit of knowledge, and not knowledge in pursuit of the child.
George Bernard ShawRead
In literature the ambition of the novice is to acquire the literary language; the struggle of the adept is to get rid of it.
Interpretation
Novice writers focus on mastering literary language, while experienced writers strive for simplicity.
George Bernard Shaw emphasizes the evolution of a writer from a beginner to an expert. Initially, new writers are eager to learn and adopt intricate literary styles, viewing complexity as a mark of sophistication. However, as they gain experience, they realize that effective communication often lies in simplicity and clarity, shedding unnecessary embellishments to convey their thoughts more powerfully.
In practice
In a writing workshop, when discussing techniques, you could quote Shaw to highlight the importance of evolving style.
What we want is to see the child in pursuit of knowledge, and not knowledge in pursuit of the child.
Marriage is good enough for the lower classes: they have facilities for desertion that are denied to us.
Forgive him, for he believes that the customs of his tribe are the laws of nature!
Those who talk most about the blessings of marriage and the constancy of its vows are the very people who declare that if the chain were broken and the prisoners left free to choose, the whole social fabric would fly asunder. You cannot have the argument both ways. If the prisoner is happy, why lock him in? If he is not, why pretend that he is?
Treat a friend as a person who may someday become your enemy; an enemy as a person who may someday become your friend.
The happiness of credulity is a cheap and dangerous quality.
The poet can only write the poems; it takes the reader to complete the meaning.
Non-fiction, and in particular the literary memoir, the stylised recollection of personal experience, is often as much about character and story and emotion as fiction is.
So many Indian novels, quite unfairly, do not get the prominence they should because they have been written in a language other than English.
Death of the Father would deprive literature of many of its pleasures. If there is no longer a Father, why tell stories? Doesn't every narrative lead back to Oedipus? Isn't storytelling always a way of searching for one's origin, speaking one's conflicts with the Law, entering into the dialectic of tenderness and hatred?
You hear all this whining going on, "Where are our great writers?" The thing I might feel doleful about is: Where are the readers?
I write adult fiction, but a good 40 to 50 per cent of my readers are teenagers. I love that if they have to grow up and move past JK Rowling they can move to me. From Jo to Jodi!
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