Normal, in our house, is like a blanket too short for a bed--sometimes it covers you just fine, and other times it leaves you cold and shaking; and worst of all, you never know which of the two it's going to be.
Jodi PicoultRead
I write adult fiction, but a good 40 to 50 per cent of my readers are teenagers. I love that if they have to grow up and move past JK Rowling they can move to me. From Jo to Jodi!
Interpretation
The author expresses pride in appealing to both adult and teenage readers, highlighting a transition from one author to another.
Jodi Picoult reflects on her role as a writer whose work resonates with a younger audience alongside older readers. She appreciates that as teenagers mature beyond the works of J.K. Rowling, they can find a new literary voice in her writings, suggesting a continuum in their reading journey.
In practice
This quote can be used in a discussion about the evolution of reading preferences as one ages.
Normal, in our house, is like a blanket too short for a bed--sometimes it covers you just fine, and other times it leaves you cold and shaking; and worst of all, you never know which of the two it's going to be.
Whether it was power they sought, or revenge, or love-well, those were all just different forms of hunger. The bigger the hole inside you, the more desperate you became to fill it.
she told me she'd be a phoenix." The image of the mythical creature rising from the ashes glitters in my mind. "They don't really exist." "She said that depends on whether or not there's someone who can see them.
for 100,000 (dollars), you [can] flatten a house with a wrecking ball. Imagine how much less it [takes] to destroy something than it [does] to build it in the first place.
But if you seek forgiveness, doesn't that automatically mean you cannot be a monster? By definition, doesn't that desperation make you human again?
when you [lose someone], it feels like the hole in your gum when a tooth falls out. You can chew, you can eat, you have plenty of other teeth, but your tongue keeps going back to that empty place, where all nerves are still a little raw
All my stories are about the action of grace on a character who is not very willing to support it, but most people think of these stories as hard, hopeless and brutal.
The book, if you would see anything in it, requires to be read in the clear, brown, twilight atmosphere in which it was written; if opened in the sunshine, it is apt to look exceedingly like a volume of blank pages.
All books are either dreams or swords, you can cut, or you can drug, with words.
People ask me why I write strong women, and I say, 'Well, I don't like stupid ones.' Who would want to read about weak and whiny women? Are they people who assume women are weak and whiny? If so, why do they think that?
I loathe people who say, 'I always read the ending of the book first.' That really irritates me, It's like someone coming to dinner, just opening the fridge and eating pudding, while you're standing there still working on the starter. It's not on.
It perhaps might be said--if any one dared--that the most worthless literature of the world has been that which has been written by the men of one nation concerning the men of another.
Subscribe for the occasional hand-picked quote. No noise.