Appealing workplaces are to be avoided. One wants a room with no view, so imagination can meet memory in the dark.
Annie DillardRead
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Appealing workplaces are to be avoided. One wants a room with no view, so imagination can meet memory in the dark.
What good is sitting alone in your room? Come hear the music play; Life is a cabaret, old chum, Come to the cabaret.
For any of us in this room today, let's start out by admitting we're lucky. We don't live in the world our mothers lived in, our grandmothers lived in, where career choices for women were so limited.
An artist in my eyes, is someone who can lighten up a dark room. I have never and will never find difference between the pass from Pele to Carlos Alberto in the final of the World Cup in 1970 and the poetry of the young Rimbaud, who stretches cords from steeple to steeple and garlands from window to window. There is in each of these human manifestations an expression of beauty which touches us and gives us a feeling of eternity.
I went to the zoo one day and saw a chimp playing with a beat-up acoustic guitar in a way I had never seen before. Instead of using the pick the chimp was banging the neck and tapping it with its fingers. I knew the chimp was on to something so I practiced this new technique in my room for hours until I'd perfected it.
Instead of making others right or wrong, or bottling up right and wrong in ourselves, there's a middle way, a very powerful middle way...... Could we have no agenda when we walk into a room with another person, not know what to say, not make that person wrong or right? Could we see, hear, feel other people as they really are? It is powerful to practice this way..... true communication can happen only in that open space.
While all the other kids were out playing ball and stuff, I used to stay in my room and imagine that there was a camera in the wall. And I used to really believe that I was putting on a television show and that it was going out to somewhere in the world.
If the General Government should be left dependent on the State Legislatures, it would be happy for us if we had never met in this room.
A story is not like a road to follow... it's more like a house. You go inside and stay there for a while, wandering back and forth and settling where you like and discovering how the room and corridors relate to each other, how the world outside it altered by being viewed from these windows.
I'm convinced there's a small room in the attic of the Foreign Office where future diplomats are taught to stammer.
If leading worship is just about bringing a group of people into a room so we can get goosebumps and sing songs together, there's not much value in that. But if leading worship is a means to an end, that we leave this place as a different kind of people, as part of a new humanity that God wants to create... then that matters.
From the shadow of domes in the city of domes,_x000D_ A snowflake, a blizzard of one, weightless, entered your room_x000D_ And made its way to the arm of the chair where you, looking up_x000D_ From your book, saw it the moment it landed. That's all_x000D_ There was to it.
There simply aren't any grand moments in life, and we surely don't live in those moments. No, we live in the utterly mundane. We exist in the bathrooms, bedrooms, living rooms, and hallways of life. This is where the character of our life is set. This is where we live the life of faith.
In a rehearsal room, your real resource as an actor aren't the things around you; your resources are your imagination and your director and the other actors. In those close quarters, your imagination and your skills are what you turn to.
A man sets out to draw the world. As the years go by, he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and individuals. A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face.
The theater has to impose itself on the public, and not the public on the theater... The word "Art" should be written everywhere, in the auditorium and in the dressing rooms, before the word "Business" gets written there.
When someone sets his affections upon the cross and the love of Christ, he crucifies the world as a dead and undesirable thing. The baits of sin lose their attraction and disappear. Fill your affections with the cross of Christ and you will find no room for sin.
Spaces devoted to Hannibal Lecter’s earliest years differ from the other archives in being incomplete. Some are static scenes, fragmentary, like painted attic shards held together by blank plaster. Other rooms hold sound and motion, great snakes wrestling and heaving in the dark and lit in flashes. Pleas and screaming fill some places on the grounds where Hannibal himself cannot go. But the corridors do not echo screaming, and there is music if you like.
Off the floor I'm really laid back, like nothing really fazes me too much. But on the floor I do get emotional and a little carried away. However, I started playing when I was 13 to have fun with my teammates, and that never stopped. I enjoy traveling and having fun in the locker room with the guys. Life is too short to be miserable.
Go out and do something. It isn’t your room that’s a prison, it’s yourself.
You create a world away from home and make new rooms for yourself. But when you arrive back home in your old rooms, the world you've made for yourself ceases to be real. Everything seems to crumble. Anyone who's been sent away to boarding school can understand that.
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