The person one loves never really exists, but is a projection focused through the lens of the mind onto whatever screen it fits with least distortion.
Arthur C. ClarkeRead
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The person one loves never really exists, but is a projection focused through the lens of the mind onto whatever screen it fits with least distortion.
For just as some people want a purely spiritual Christ, without flesh and without the cross, they also want their interpersonal relationships provided by sophisticated equipment, by screens and systems which can be turned on and off on command. Meanwhile, the Gospel tells us constantly to run the risk of a face-to-face encounter with others, with their physical presence which challenges us, with their pain and their pleas, with their joy which infects us in our close and continuous interaction.
I think there is a very quiet power in things that are not on screen
One forgets too easily the difference between a man and his image, and that there is none between the sound of his voice on the screen and in real life.
War is not a computer-generated missile striking a digital map. War is the color of earth as it explodes in our faces, the sound of child pleading, the smell of smoke and fear. Women survivors of war are not the single image portrayed on the television screen, but the glue that holds families and countries together. Perhaps by understanding women, and the other side of war ... we will have more humility in our discussions of wars... perhaps it is time to listen to womens side of history.
What we really are is a community of mind, knitted together by codes and symbols, intuitions, aspirations, histories, hopes - the invisible world of the human experience is far more real to us than the visible world, which is little more than a kind of stage or screen on which we move.
I try to let go of the intellect and just tell the story. I only read the page I have in front of me on the screen. Then when the whole story is told, I print it, wait a week and read it.
When we enter a new situation in life and are confronted by a new person, we bring with us the prejudices of the past and our previous experiences of people. These prejudices we project upon the new person. Indeed, getting to know a person is largely a matter of withdrawing projections; of dispelling the smoke screen of what we imagine he is like and replacing it with the reality of what he is actually like.
On my desk I have three screens, synchronized to form a single desktop. I can drag items from one screen to the next. Once you have that large display area, you'll never go back, because it has a direct impact on productivity.
Over the weekend the vultures got into the presidential palace by pecking through the screens on the balcony windows and the flapping of their wings stirred up the stagnant time inside, and at dawn on Monday the city awoke out of its lethargy of centuries with the warm, soft breeze of a great man dead and rotting grandeur.
As a kid I didn't see black cowboys on the screen. What that said to me was that there were things I couldn't do or be because of my color. What we see others like us do gives us permission to expand our own horizons.
I'm a good son, a good father, a good husband - I've been married to the same woman for 30 years. I'm a good friend. I finished college, I have my education, I donate money anonymously. So when people criticize the kind of characters that I play on screen, I go, 'You know, that's part of history.'
Don't use expensive clothes as a screen for your personal doubts. Be proud of yourself
The difference between FEELING yourself in action, here and now, and visualizing yourself in action, as though you were on a motion-picture screen, is the difference between success and failure.
I'm leaving the screen because I don't think I am very good in the pictures and I have this beautiful dream that I'm elegant on the stage.
We'd said we'd keep in touch. But touch is not something you can keep; as soon as it's gone, it's gone. We should have said we'd keep in words, because they are all we can string between us--words on a telephone line, words appearing on a screen.
What we're doing with Band of Brothers is trying to put it into human terms, so it is not just a flickering, black and white myth on a screen, it is a resonant story. I want the audience to recognize themselves in these men. They're not just mythic heroes.
The happiest moments of my childhood were spent on my grandmother's front porch in Durham, N.C., or at her sister's farmhouse in Orange County, where chickens paraded outside the kitchen's screen door and hams were cured in the smokehouse.
God screens us evermore from premature ideas.
I believe movies are one of the great American art forms and the shared experience of watching a story unfold on screen is an important and joyful pastime. The movie theatre is my home, and the idea that someone would violate that innocent and hopeful place in such an unbearably savage way is devastating to me.
A good score should have a point of view all of its own. It should transcend all that has gone before, stand on its own two feet and still serve the movie. A great soundtrack is all about communicating with the audience, but we all try to bring something extra to the movie that is not entirely evident on screen.
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