Quotes on Series

New knowledge has led to the recognition in the theory of evolution of more than a hypothesis. It is indeed remarkable that this theory has been progressively accepted by researchers, following a series of discoveries in various fields of knowledge. The convergence, neither sought nor fabricated, of the results of work that was conducted independently is in itself a significant argument in favor of this theory.

The recollections of an older man are different from those of a younger man. What seemed vital at forty may lose its significance at seventy. We manufacture stories, after all, from the fleeting sensory material that bombards us at every instant, a fragmented series of pictures, conversations, odors, and the touch of things and people. We delete most of it to live with some semblance of order, and the reshuffling of memory goes on until we die.

Unlike the sale of a commodity, the giving of a gift tends to establish a relationship between the parties involved. When gifts circulate within a group, their commerce leaves a series of interconnected relationships in its wake, and a kind of decentralized cohesiveness emerges.

Act without doing; work without effort. Think of the small as large and the few as many. Confront the difficult while it is still easy; accomplish the great task by a series of small acts. The Master never reaches for the great; thus she achieves greatness. When she runs into a difficulty, she stops and gives herself to it. She doesn't cling to her own comfort; thus problems are no problem for her.

Since 9/11 we have somehow come to accept the 'radicalization' narrative, which basically holds that people become terrorists through a series of consecutive, traceable steps laid out for them by large international Islamic organizations. Reality is messier, and also smaller.

Who are we, who is each one of us, if not a combination of experiences, information, books we have read, things imagined? Each life is an encyclopedia, a library, an inventory of objects, a series of styles, and everything can be constantly shuffled and reordered in every way conceivable.

It looks like the writer is telling you a story. What the writer is actually doing, however, is using words to evoke a series of micromemories from your own experience that inmix, join, and connect in your mind in an order the writer controls, so that, in effect, you have a sustained memory of something that never happened to you.

Heroes are made in the hour of defeat. Success is, therefore, well described as a series of glorious defeats.

Fame is a series of misunderstandings surrounding a name.

And in those varieties of pain of which we spoke anon, what a part of confidante has that poor teapot played ever since the kindly plant was introduced among us! What myriads of women have cried over it, to be sure! What sickbeds it has smoked by! What fevered lips have received refreshment from out of it! Nature meant very gently by women when she made that teaplant; and with a little thought what a series of pictures and groups the fancy may conjure up and assemble round the teapot and cup!

We are not converted only once in our lives but many times and this endless series of conversions and inner revolutions leads to our transformation.

Cinema is not a series of abstract ideas, but rather the phrasing of moments.

Leadership is a series of behaviors rather than a role for heroes.

One of the most unattractive human traits, and so easy to fall into, is resentment at the sudden shared popularity of a previously private pleasure. Which of us hasn't been annoyed when a band, writer, artist or television series that had been a minority interest of ours has suddenly achieved mainstream popularity? When it was at a cult level we moaned at the philistinism of a world that didn't appreciate it, and now that they do appreciate it we're all resentful and dog-in-the-manger about it.

I was rather literary in college—one year I wrote a series of very solemn and obvious editorials for the 'Yale News.'—and now I was going to bring back all such things into my life and become again that most limited of all specialists, the 'well-rounded man.' This isn’t just an epigram—life is much more successfully looked at from a single window, after all.

To most people who look at a mobile, it's no more than a series of flat objects that move. To a few, though, it may be poetry.

The trouble with a series as it gets older is it can feel like a tradition, and tradition is the enemy of suspense, and it's the enemy of comedy. It's the enemy of everything, really. So you have to shake it up.

Revolutionaries see history as a creation of their own spirit, as being made up of a continuous series of violent tugs at the other forces of society - both active and passive, and they prepare the maximum of favourable conditions for the definitive tug (revolution).

Though the academic authorities are actually proud of conducting everything by means of Examinations, they seldom indulge in what religious people used to descibe as Self-Examination. The consequence is that the modern State has educated its citizens in a series of ephemeral fads.

Every woman who has come to consciousness can recall an almost endless series of oppressive, violating, insulting, assaulting acts against her Self. Every woman is battered by such assaults - is on a psychic level, a battered woman.

I always think a successful television series is the best job because it gives you community, it doesn't demand temporary insanity the way movies do, and you can be almost a normal person.