Quotes on Shooting

The reality of the final moment, just before shooting [the scene], is so powerful that all previous analysis must yield before the impressions you receive under these circumstances, and unless you use this feedback to your positive advantage, unless you adjust to it, adapt to it and accept the sometimes terrifying weaknesses it can expose, you can never realize the most out of your film.

For the last 10 years, I've felt increasing pressure to stop shooting film and start shooting video, but I've never understood why. It's cheaper to work on film, it's far better looking, it's the technology that's been known and understood for a hundred years, and it's extremely reliable.

The real problem, both in discussions of mass shootings and in discussions of gun control, is that too many people are too committed to a vision to allow mere facts to interfere with their beliefs, and the sense of superiority that those beliefs give them.

It was a very intense and stressful situation. There was playing in the Johnny-pump (an opened fire hydrant) and the ice-cream man coming around and all of these games that we'd play, and suddenly it would turn just violent and there would be shootings at 12 in the afternoon on any given day.

The gigantic tension before the shooting of an arrow, and the total relaxation seconds later, is my way of connecting to the universe.

The United States does not have a monopoly on crazy people. It's not the only country that has psychosis. And yet we kill each other in these mass shootings at rates that are exponentially higher than anyone else. Well, what's the difference? The difference is that these guys can stack up a bunch of ammunition in their houses, and that's sort of par for the course.

Mediocrity is no answer to violence. In fact, it probably invites violence. At least the mediocre and the violent appear together as in the old Western movies - the ruffian outlaw band shooting up main street and the little white church with the little white schoolteacher wringing her hands. To cool violence you need rhythm, humor, tempering; you need dance and rhetoric. Not therapeutic understanding.

People, Reacher was certain about. Dogs were different. People had freedom of choice. If a man or a woman ran snarling toward him, they did so because they chose to. They were asking for whatever they got. His response was their problem. But dogs were different. No free will. Easily misled. It raised an ethical problem. Shooting a dog because it had been induced to do something unwise was not the sort of thing Reacher wanted to do.

After a shooting spree, they always want to take the guns away from the people who didn't do it.

We have seen a man dragged to death in Texas simply because he was black. A young man murdered in Wyoming simply because he was gay. In the last year alone, we've seen the shootings of African Americans, Asian Americans, and Jewish children simply because of who they were. This is not the American way. We must draw the line. Without delay, we must pass the Hate Crimes Prevention Act and the Employment Non-Discrimination Act. And we should reauthorize the Violence Against Women Act.

Of course, with the increasing number of aeroplanes one gains increased opportunities for shooting down one's enemies, but at the same time, the possibility of being shot down one's self increases.

Martin Luther was asked, what would you do if tomorrow the world would come to an end, and he said, 'I would plant an apple tree today.' This is a real good answer. I would start shooting a movie.

Though, technically, I'm shooting on location, my films are actually based inside a woman's heart. I think women are more emotional than men, and that's a thread I've explored in all my films. When I see TV these days, I'm shocked at how all the main women characters are portrayed as evil. Women are the foundation of everything, and they deserve to be treated that way on camera.

I started shooting when I was much too far away. That was merely a trick of mine. I did not mean so much as to hit him as to frighten him, and I succeeded in catching him. He began flying curves and this enabled me to draw near.

We are Born like this Into this Into these carefully mad wars Into the sight of broken factory windows of emptiness Into bars where people no longer speak to each other Into fist fights that end as shootings and knifings Born into this Into hospitals which are so expensive that it’s cheaper to die Into lawyers who charge so much it’s cheaper to plead guilty Into a country where the jails are full and the madhouses closed Into a place where the masses elevate fools into rich heroes

And weren't, when you got right down to it, particularly evil. Human beings mostly aren't. They just get carried away by new ideas, like dressing up in jackboots and shooting people, or dressing up in white sheets and lynching people, or dressing up in tie-dye jeans and and playing guitar at people. Offer people a new creed with a costume and their hearts and minds will follow.

Plenty of people did not care for him much, but then there is a huge difference between disliking somebody - maybe even disliking them a lot - and actually shooting them, strangling them, dragging them through the fields and setting their house on fire.

By...our readiness to allow arms to be purchased at will and fired at whim; by allowing our movie and television screens to teach our children that the hero is one who masters the art of shooting and the technique of killing...we have created an atmosphere in which violence and hatred have become popular pastimes.

We're going to have to come together and take meaningful action to prevent more tragedies like this, regardless of the politics.

When I am shooting a film I never think of how I want to shoot something; I simply shoot it.

It's not unexpected that shooting massive amounts of water, sand, and chemicals at high pressure into the earth to shatter shale and release natural gas might shake things up. But earthquakes aren't the worst problem with fracking.