Quotes on Shooting

Making pictures is a very simple act. There is no great secret in photography...schools are a bunch of crap. You just need practice and application of what you've learned. My absolute conviction is that if you are working reasonably well the only important thing is to keep shooting...it doesn't matter whether you are making money or not. Keep working, because as you go through the process of working things begin to happen.

My photographs are proof of what happened. When I go to Russia, sometimes I meet ex-soldiers... They say, 'We came to liberate you....' I say: 'Listen, I think it was quite different. I saw people being killed.' They say: 'No. We never... no shooting. No. No.' So I can show them my Prague 1968 photographs and say, 'Listen, these are my pictures. I was there.' And they have to believe me.

What one Predator drone pilot described of his experience fighting in the Iraq war while never leaving Nevada: 'You're going to war for 12 hours, shooting weapons at targets, directing kills on enemy combatants. Then you get in the car and you drive home, and within 20 minutes you're sitting at the dinner table talking to your kids about their homework.'

If you're a film fan, collecting video is sort of like marijuana. Laser discs, they're definitely cocaine. Film prints are heroin, all right? You're shooting smack when you start collecting film prints. So, I kinda got into it in a big way, and I've got a pretty nice collection I'm real proud of.

...the goal of all spiritual life is to get your ego out of the way - outwit the sucker; dissolve it; shoot it; kill it. Silence the incessant planning, organizing, running, manipulating, possessing, and processing"... "because these activities preclude awareness of the Divine.

When a war is over I think it's a cowardly thing to leave the war behind you in minefields that hit women and children and the most vulnerable. Imagine the war is finished and you go to work and there are snipers shooting at you. Imagine taking your kids to the beach and you find that the beach is blowing up beneath you. Like there's nowhere safe.

Influences come from everywhere but when you are actually shooting you work primarily by instinct. But what is instinct? It is a lifetime accumulation of influence: experience, knowledge, seeing and hearing. There is little time for reflection in taking a photograph. All your experiences come to a peak and you work on two levels: conscious and unconscious.

I don't think anybody who carries a rifle carries the future. Because I don't believe that you can really change the world by killing and shooting. You have the change it by creating and competing.

The film is made in the editing room. The shooting of the film is about shopping, almost. It's like going to get all the ingredients together, and you've got to make sure before you leave the store that you got all the ingredients. And then you take those ingredients and you can make a good cake - or not.

You can practice shooting eight hours a day, but if your technique is wrong, then all you become is very good at shooting the wrong way. Get the fundamentals down and the level of everything you do will rise.

What I end up shooting is the situation. I shoot the composition and my subject is going to help the composition or not.

Neither had Watt of the Steam engine a heroic origin, any kindred with the princes of this world. The princes of this world were shooting their partridges... While this man with blackened fingers, with grim brow, was searching out, in his workshop, the Fire-secret.

Honestly this is not going to change unless the people who want to prevent these kinds of mass shootings from taking place feel at least as passionate, at least as mobilized and well-funded as the NRA and the gun manufacturers are because the politics in Congress are such where even members of Congress who know better are fearful if they vote their conscience and support common sense measures like background checks, they're worried they're going to lose.

The film of tomorrow will not be directed by civil servants of the camera, but by artists for whom shooting a film constitutes a wonderful and thrilling adventure.

In the liberal remake of 'Casablanca,' the police captain comes upon the scene of the shooting and orders his men to 'round up the usual weapons.' It's always the weapon and never the shooter.

Aim for the high mark and you will hit it. No, not the first time, not the second time and maybe not the third. But keep on aiming and keep on shooting for only practice will make you perfect. Finally you'll hit the bull's-eye of success.

I am not going to die, I'm going home like a shooting star.

When an archer is shooting for nothing, he has all his skill. If he shoots for a brass buckle, he is already nervous. If he shoots for a prize of gold, he goes blind or sees two targets - He is out of his mind! His skill has not changed. But the prize divides him. He cares. He thinks more of winning than of shooting- And the need to win drains him of power.

I've had a lot of majors where I didn't play well until the last round. Keep yourself in contention; that's the name of the game. I usually ended up shooting a good round and all of a sudden, somehow, I won.

A photograph is a secret about a secret. The more it tells you the less you know.

Writing is fantasizing about what your film will be like. Shooting is reality. And the post-production is recovering the idea you had.