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Visually, I'm always considering shots and composition quite a lot, and I love putting art into films, and I do a lot of the art.
When you get into this line of work, you're in public office, you expect you're gonna have cheap shots taken at you. That's part of the process.
I've copied a bit of what AB de Villiers does. The way I go back and across to open myself up and set myself for the shots.
Your touch and your feel for the game is pretty much gone if you don't work on it - at least get some shots up or dribble the ball.
When you're young and you first come onto the scene, you're fearless. You just go for your shots and don't really think about the consequences. But as you play on through years and years, you get punished for those misses, and gradually, that leaves scars. It dents your confidence a bit.
I remember far more shots that cost me matches than the ones that won me matches. That is maybe the way you think if you are someone who has won a lot of tournaments and had a successful career.
I love having 30 shots of every scene.
I'm utilized for playing defense, blocking shots and getting rebounds.
I get pretty pumped up when I block shots. I have good timing and I go after it pretty good.
I enjoy blocking shots. It's kind of a rush.
When I started, you didn't focus so much on production, certainly not - gosh - down to the finest little detail of how you shifted your eyes or how you turned to somebody. A lot of the shots were far away from a still camera. There weren't as many close-ups and intimacy.
I think I can help push the tempo just a little bit... I feel I can get the ball after a rebound. Push the fastbreak. Push the tempo. Get guys some easy shots.
Once you're playing with a lot of confidence the bad shots don't faze you.
I've been learning when to block shots against who I'm playing. I'm not just going to leave a shooter to go block shots.
I can shoot, or I can roll, I can finish inside, I can take two-point shots, I can switch on defence and I can protect the paint.
Most of the time when you're open that's when it's tough to make shots because you try to get some different focus than normally when some guys try to contest your shots.
I feel like I'm a guy who gets other guys shots.
Some games I'm going to get more blocks or they're going to do more mistakes and give up more baskets but some games I get zero blocks and I affect 20 shots.
If you can deliver the big shots at the right time, they hurt.
Pacquiao has been stopped a 'couple of times by body shots and has been knocked out and I don't think there's anything you can do to improve your ribs or chin.
I want to be behind the scenes, and learn more. What cameras to use, what lenses to use, what shots I want to get. And it takes time, so being on movies and sets, I just learn.
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