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I was the youngest of three kids, and from the age of four, singing was my way of getting attention.

One of the most beautiful things that recruited me to join the LaRouche movement is its emphasis on Classical singing and composition, especially with the Negro Spirituals, adding a new depth of profundity to songs I had sang while growing up.

There are a lot more famous fathers out there than me with daughters who wouldn't mind singing careers... but the talent and the work ethic have to be on point. Kayla's blessed to have all that.

The first six years of my career, I got more comments on my weight than on my singing. So I think I became so self-conscious that I started working on it harder.

Singing was always the thing - I played some leads in musicals. Then when I went to college, I joined a singing group.

I was involved with sports and student government, the regular stuff. I liked movies and all, but I did love the singing and putting on musicals, and I was always comfortable with that. I liked it.

I'm also taking singing classes as well, not that I ever plan to sing in public in my entire life. I actually have a phobia of singing, so I decided to take some singing lessons to help me get away from the phobia.

When you're pregnant, things - at least for me - get very sincere and very wholesome, and it's about family, and singing becomes about warmth.

My father's a deacon, my mother's a choir director, so I grew up in the church and singing in the choir, begging my mom if I could have a solo.

I'm going to keep pursuing my dream, keep singing and, hopefully, move to L.A.

You know, your speaking voice comes back, but your singing voice you use in a different way.

Singing is my life, and I have to do it, or I'm going to go totally bananas.

Oh, stuff the critics. I don't care. Too many people are snooty about classical. Look, I wasn't brought up in a home where we listened to classical music. It was a singing teacher that thought it would be best for my voice. Then I moved into crossover. And if that makes the music accessible to more people, then great.

My parents weren't keen on the giving up of school at the beginning to go into singing and dancing, but once they saw I was serious about it, they gave support. I was quite stubborn about my decision, and in the end, they realised it was for the best.

Once I wrote 'Atmosphere,' I thought, 'This is my story; it's me and my life and what I've gone through to get to where I am.' I'm not the best singer, but still. All of my albums are personal, but putting myself out there and singing is one more thing that makes me vulnerable - one more thing that people can fire shots at.

I never really thought about pursuing singing because my whole life was about dance and singing just kind of came with it.

Singing is a limitless form of expression, and I love to experiment with my work.

Singing is my passion, my first love and the secret of my energy. Music to me is like finding my inner self, my soul. It gives me a great joy to see audiences enjoying with me. I have given my heart to singing. When I sing, I can feel romance in everything around me.

I first fell in love with music when I was five years old because of 'Annie.' And then 'The Little Mermaid' really made me want to start singing. And then the fierce, amazing women of the '90s - Alanis Morrissette, Courtney Love, Tori Amos, Ani Difranco, Paula Cole, Patty Griffin - made me want to start writing.

My only claim to music is a good sense of rhythm, and I have been in musicals and done some singing.

Singing has been a cherished gift, and my inability to sing has been a devastating blow.

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