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All my voice training comes from choir and small ensemble singing.

It seems like pop singing has sort of influenced musical theatre in so many ways - you could argue good or bad, really - and musical theatre is written for that style so often, which is a completely different style.

I worked in a supermarket for a year; I worked in a finance department at a university, a pub, busking and singing. I tried to be a nanny for about three weeks.

It seems that singing is the only thing I've been able to do and fortunately it seems to be useful!

I feel like, to have a career as an artist, you don't need to meet the same criteria as you do to win a singing competition. They're two very different animals.

When I'm doing sports, I always think of how it's related to singing, and when I watch tennis, I learn a lot for my singing: how the players are focused, how they use their technique, and, in the case of Roger Federer, how effortless it is and how beautiful it is to watch - like bel canto, in a way. That's how singing should be.

I love the sound of the saxophone. It became my singing voice, and it sounds so human. The saxophone could carry the words past the border of words. It can carry it a little bit farther.

I want people to know me for my singing. I've never been searching for a label of being a fashion plate or a top model. That's a thing that's very short-lived, and it's dealing with a superficial level of this which doesn't really appeal to me.

My last album as J. Tillman, 'Singing Ax,' that was really a premeditated death rattle of the aesthetic precedent I had set. I realized I wasn't creating spontaneously; I was enforcing all these parameters. I was too self-loathing or something, and there was this obvious dissonance between my conversational voice and creative voice.

I carry on singing because I love it. The closer you are to the end, the more you understand how important it is.

Well, ever since I was little, I knew that singing was what I wanted to do, and then I got into, you know, doing drama club and community theater.

When I first heard Bob Dylan, I'll be honest, I didn't like him. But I was shallow of mind and didn't understand the poetry. I just judged him on his singing and his guitar playing.

I like experimenting with different styles of singing and languages and was frankly overwhelmed at the idea of working with Vishal and Shekhar.

Only in my 40s did I become a person whose heart lifts whenever he hears a grosbeak singing or a towhee calling, and who hurries out to see a golden plover that's been reported in the neighbourhood, just because it's a beautiful bird, with truly golden plumage, and has flown all the way from Alaska.

I'm watching The Singing Detective.' I'm rather taken by it.

There are situations when, in your singing, in your interpretation of songs, for instance, when you want a straight tone. And I have to work really hard at getting a straight tone... That's sort of like if you have curly hair, you have curly hair.

As a child, all I knew was that people kept asking me to sing, and because I liked to please, I would sing. It wasn't until my dad told me that my singing made him happy that I began to think my voice might be good.

There was a time when I was in the South, singing, and someone came to me before the show and said, 'There's been a threat on your life. Someone had phoned in and said they were going to shoot you if you go on stage.' I was singing 'Chances Are,' and I kept moving so they wouldn't have a shot at me.

Being in music forever, I have good pitch, so I know when I'm singing in or out of tune. But the key to really good singing is just relaxing and thinking about what the song is.

I'm from a working-class family. We didn't have a lot, but we had the arts. You're talking to a guy who is making a living at doing what he loves doing - acting, singing and dancing. So any career ups and downs were not that significant to me; the only things that really powerfully impinged on me were my losses, and there were many in my life.

It was always difficult for me to listen to my singing voice for the first 20 years or so. I mean, I really enjoyed singing, and I enjoyed doing live shows, but being in a recording studio and having to hear my voice played back to me would really drive me up the wall.

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