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At the end of the day, I can't sit down and write a song to sell.

The first time I heard 'Jolene,' I was 12 years old, and it was performed by Jack White. I remember watching that video and forgetting it was from a woman's point of view, and forgetting it was a country song, and forgetting it was originally by Dolly Parton.

I made a decision when I started writing 'All is Song' to take the compliments I had for 'The Wilderness' and try to be confident and not overwhelmed by it.

With 'All Is Song,' I tried to construct a very traditional narrative that pulls no tricks.

I conceived 'All Is Song' as a modernised, loosely interpreted version of Socrates's life.

'Can't Get Closer' I originally recorded in about half an hour, just on my bed with a microphone. I actually re-recorded the song with a cleaner vocal take, but I decided to leave the demo version on there, just because I felt that instant where it was created is what captured the most emotion.

When I've produced a song, I try to record a vocal over it, and sometimes it becomes really hard. Sometimes I've already said a lot that I want to say within the production. The vocal is just adding to it, rather than it being a song.

Do you think I'm wandering around all day thinking, 'I must write a song called 'Three Coins In The Fountain'?' Only an idiot would do that.

Every song, the title dictates the architecture of the song.

I had no particular image of Chicago in mind when I wrote 'My Kind of Town.' All I wanted to do was write a song in praise of Chicago, and that's what I did.

I'm a professional songwriter - personal attitudes have nothing to do with writing a song.

A lot of new girls are arriving every day - let them do the glamour roles! I am done with ultra glam outfits and five song routines - hereafter, I want to do meatier roles, now that I've acted with all the biggies.

I was once sitting on a tube, and someone was playing my song so loudly through their ear phones next to me. I just stayed silent and chuckled to myself.

When I'm performing, I'm not even thinking about the song. I'm thinking about the audience.

To sing a song is quite different than to write a poem. I'm not and never will be a novelist, but to write a novel is not the same thing as writing a play. There is a difference in form, but essentially what you're after is the same thing.

I keep joking with my teammates that Nickelback should be our walkout song. I think everyone secretly likes at least one song.

I got a degree in psychology at the University of Michigan and can most definitely sing the greatest college fight song of all time.

I think honesty is an important thing when writing a song. If you can't sing it with conviction, then no-one else is going to believe it.

When you have these moments where a song connects with people and creates a conversation, it's quite a humbling experience because it's like, 'Maybe there is a little bit more weight to this job than I thought there ever was before.' Which was wonderful that that happened with 'Dead Boys.'

I'm asking questions that most people are asking, but just putting a melody or a song to it.

Within the songwriting community, there are these unwritten rules for the way that a song should be written in country music, and I think that those rules are constantly being broken over the years, and the molds change and the process is evolving.

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