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I like to come up with lots of different sounds. So the final version of a song might have been 10 completely different songs before we finally got it right.

I think of a song in terms of lyrics and stories, and that's what keeps it country for me.

I wrote a song several years ago while I was in college called 'Muscadine Wine.' I really didn't know if it had potential or not, if it was good or bad or what. I played it for my roommates - who I played ball with - one night, and I knew they would tell me the truth. They loved it, and that encouraged me.

I wanted that song 'Saat samundar' in 'Kick.' There are many memories attached to it. The song makes 'Kick' all the more special.

I enjoy the process of composing music. The first time I hear a song, it has to bring a smile to my lips. You have to tap your feet and be able to sing the song.

I remember Shammi Kapoor for his great sense of music. If he loved a song, he would go to any speaks of his obsession as an actor. He wanted everything according to his film's mood. His demise is a serious loss to the film industry. Personally, I have lost a friend, a protective elder brother, and someone who was full of love and warmth.

Re-recording 'Naino mein sapna' for me was like being a part of history. Never before has a son sung the same song in the same style which was rendered by his father 30 years ago.

The moment any film has song and dance sequences - where any time any character can start singing and dancing without any explanation - it can turn into a senseless film.

And he was going to give me a song, because I'm a singer and I wanted to sing in everything.

I don't want to give you the opportunity to find a box to put me in, figure it out later. When the records come out song by song, you'll hear it and get to determine how you want to classify me.

I was rapping because there were so many things that I wanted to say. There weren't enough words for me to articulate all of the things that I wanted to say in a three minute song.

I think the song itself, 'Smoke and Fire,' is just a metaphor for the feelings that you feel in a relationship.

Everybody loves a good Christmas song if you do it right.

For every benefit conferred, God is to be praised in his gifts. Otherwise when the time of judgment comes, that man will be punished as an ingrate who cannot say to God: 'Your statutes were my song in the land of exile.'

Life is a song - sing it. Life is a game - play it. Life is a challenge - meet it. Life is a dream - realize it. Life is a sacrifice - offer it. Life is love - enjoy it.

In the old days, people shared music; they didn't care who made it. A song would be owned by a village, and anyone could sing it, change the words, whatever. That is how humans treated music until the late 19th century. Now, with the Internet, we are going back to having tribal attitudes towards music.

An artist is made to entertain. That's their primary goal, to entertain you. But some artists record the moments of time. You wouldn't know what was happening in the '20s and '30s; you got to check the song or art.

When we was making a song called 'Bring Da Ruckus,' we took the snare, and we put it in an elevator shaft and recorded it.

I wrote 'Truth Is' with Julia Michaels during our first time working together. The song is about emotions we often think of but are afraid to voice - the feelings we try to convince ourselves we don't actually feel.

The first mp3 I downloaded, which I guess was illegal, was a symphonic rendering of the Super Mario Brothers 1-1 theme song. It was great. I was like, 'This is blowing MIDI files out of the water. This is the future, right here.'

It's funny, the only song I didn't want to do originally was 'Oh So Quiet.' And it was the best performance and changed the game for me.

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