Explore Quotes on Song

Old school Janet Jackson is always good. I usually go old school, it's very rare that I pick a song from nowadays.

I always like Madonna; any Madonna song is good for me.

I want to write music that actually matters and to be able to make a difference through song.

If I can drive down the road in my car and listen to XM satellite, and when a song gets beamed into my car, it can tell me who wrote the song and what the damn lyrics are, why, when you broadcast a digital signal of a film, can't it speak to your television to set up a list of settings to show the film in the way that it was meant to be shown?

I just try to get inside the song and imagine what comes next.

I have always thought it was important to maintain some connection for myself to what it takes to make a song work by myself, to put a song across to an audience by myself.

When you do a song new live on stage, it's kind of a bit weird until it gets worn in, you know, like oiled up a bit. It's still a little bit stiff until you really thrashed at it for a few weeks.

I try to find nice chord changes, that's how I love to start, and then I start trying to knock it into a song, knock it into shape.

Whether it's a song you write or a television show or a movie or professional wrestling, there are three components to IP law. There is publishing, there are writers, and there are performers. The publisher is always the owner.

I was probably 16 or 17 when 'Core' came out, and I just remember how Scott could cater to the song and create these characters. That blew me away.

'Barsaat' is a romantic love song penned by Rashmi Virag. It is a song very close to my heart - that's why we plan to release it first. Actually over so many years, whenever I used to make a composition it would get selected for a movie. This time I was very determined to release it as an independent album and didn't give it for movies.

I am against vulgar lyrics. No one should feel ashamed while listening to a song.

I took a vow that I would see a Bengali film song playing at a nightclub.

A song just doesn't have verse-chorus-verse. It could just be one line. There are Chinese love songs that you have to learn one melody for a three-minute thing, and nothing ever repeats. I like that.

I've always felt that the quality of the voice is where the real content of a song lies. Words only suggest an experience, but the voice is that experience.

I didn't write this song. Someone was talking in a room. I just wrote down everything they said.

If the song makes it and people like it, then I guess that's all that matters, really.

I don't care about the rules. In fact, if I don't break the rules at least 10 times in every song then I'm not doing my job properly.

I'm reading 'Ten Storey Love Song' by Richard Milward. I read his first novel, 'Apples,' after hearing a reading of his in the Hague. I really enjoyed it, so I've started this one.

I'm always aiming for some magic in films if I can find a mystical quality either in a song or in a moment or a character's intention.

Think about when you listen to a song on the radio. You are not paying for it; it's not illegal to do it, because the rights have been paid for on top, beforehand, by the radio station, by the network. We have to find exactly the same kind of system with the Internet.