Sometimes, you get tired of fighting. I think you just sort of come to this realization that yes, that you will get tired, but that doesn't mean that you can give up the fight.
Jesmyn WardRead
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Sometimes, you get tired of fighting. I think you just sort of come to this realization that yes, that you will get tired, but that doesn't mean that you can give up the fight.
Scientific facts are often described in textbooks as if they just sort of exist, like nickels someone picked up on the street. But science at the cutting edge, conducted by sharp minds probing deep into nature, is not about self-evident facts. It is about mystery and not knowing. It is about taking huge risks.
When you use film, you use accidents, but there aren't any accidents with digital photography. I don't mind that it's easy. But I do mind that there is a sort of consensus with the camera and the subject and the light, and you look at something, and you photograph it, and you get what you see.
The mechanics of love imply some sort of bridge between the sensual and the spiritual, sometimes to the point of deification; the notion of an afterlife is implicit not only in our couplings, but also in our separations.
Certainly a sort of industrial use of creatures, so that geese are fed in such a way as to produce as large a liver as possible, or hens live so packed together that they become just caricatures of birds, this degrading of living creatures to a commodity seems to me in fact to contradict the relationship of mutuality that comes across in the Bible.
A composition is always more than the sum of its parts. In other words, a really good piece of music is more than itself. It's sort of like a prism, which you can see from each facet a single totality.
The preciousness of life and the changes of weather and the beauty of seasons - all those things have always sort of dazzled me.
What I say is that, if a fellow really likes potatoes, he must be a pretty decent sort of fellow.
The painter I really thought I could learn from was Cezanne - some sort of resemblance to oranges and greens and browns of the dry season in St. Lucia.
Persuasion is clearly a sort of demonstration, since we are most fully persuaded when we consider a thing to have been demonstrated.
Anarchism means all sort of things to different people, but the traditional anarchists' movements assumed that there'd be a highly organized society, just one organized from below with direct participation and so on.
I'm not out trying to prove anything. I'm sort of finished with that, so I get to play in other sandboxes and try and figure out what I like and I'm interested in.
Surprise drives progress because innovation depends on the sort of knowledge no one can gather in a central place.
You know, one of these things that happened in the '60s and '70s was this confluence of, sort of, a counter-culture with computer culture.
I'm going to do anything I can do - whether that's being part of FIFA or creating some sort of movement that can actually impart real equality across all lines - in every country, every city, every sector all over the world, that's what I'm going to do.
Americans born since World War II have grown up in a media-saturated environment. From childhood, we have developed a sort of advertising literacy, which combines appreciation for technique with skepticism about motives. We respond to ads with at least as much rhetorical intelligence as we apply to any other form of persuasion.
Everybody I know is writing plays twice a year. It's sort of making me feel I am not up to much.
My parents came from Calcutta. They arrived in Cambridge, much like the parents in my novel. And I found myself sort of caught between the world of my parents and the world they had left behind and still clung to, and also the world that surrounded me at school and everywhere else, as soon as I set foot out the door.
What I described in 'Another Life' - about being on the hill and feeling the sort of dissolution that happened - is a frequent experience in a younger writer.
The pretentiousness of literature really annoys me; the way a writer is held as this sort of magical person to be revered on the stage. Everything I do on tour is to try and destroy that pretense.
I'm always interested in what you can do with technology that people haven't thought of doing yet. I think that's sort of a characteristic of the way I've worked ever since I started.
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