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I loved the idea of recording. The idea of sound-on-sound-recording captured me as a young kid, and once I realized what it was I had an epiphany. Before I was even playing the guitar, I would create these lists of how I would record things and overdub them, like Led Zeppelin song, 'I could put this guitar on this track...' and so on.

If you're feeling emotional when you're creating something, it'll sound that way.

I was irrevocably betrothed to laughter, the sound of which has always seemed to me the most civilised music in the world.

If you're in America a lot, it's easy to get into playing American. All of it, the sounds, the energies, all very different. But it's really hard to do the accent. I tend to try and stay in it all day, which is the only way I can manage it.

I find it quite hard to sum up my relationship in a sound bite. I feel that it trivializes it for other people's pleasure. It's an adventure.

Experience taught me a few things. One is to listen to your gut, no matter how good something sounds on paper. The second is that you're generally better off sticking with what you know. And the third is that sometimes your best investments are the ones you don't make.

I'm not trying to sound pretentious, but we did sell 12 million records on the first album, so we did get paid a little bit.

There is something in every one of you that waits and listens for the sound of the genuine in yourself. It is the only true guide you will ever have. And if you cannot hear it, you will all of your life spend your days on the ends of strings that somebody else pulls.

The past is an old armchair in the attic, the present an ominous ticking sound, and the future is anybody's guess.

I never found a companion that was so companionable as solitude.

I maintain, despite the moment's evidence against the claim, that we are born and grow up with a fondness for each other, and we have genes for that. We can be talked out of it, for the genetic message is like a distant music, and some of us are hard-of-hearing. Societies are noisy affairs, drowning out the sound of ourselves and our connection.

I still absolutely love 'The Sound of Music' and anything with Julie Andrews in it.

I don't listen to music when I write. I need silence so I can hear the sound of the words.

I'm not a drunk anymore, but since they cut out my tongue, I sound drunk.

The bass, no matter what kind of music you're playing, it just enhances the sound and makes everything sound more beautiful and full. When the bass stops, the bottom kind of drops out of everything.

If a policy is wrongheaded, feckless and corrupt, I take it personally and consider it a moral obligation to sound off and not shut up until it's fixed.

It's not often that the idea of continuing something for a potentially long period of time sounds exciting to me, because I really am a gypsy by nature.

I think we love bacon because it has all the qualities of an amazing sensory experience. When we cook it, the sizzling sound is so appetizing, the aroma is maddening, the crunch of the texture is so gratifying and the taste delivers every time.

What I do remember is visualization of the sound of music, seeing bodies in movement in relation to how music sounded, because my mother practiced at the keyboard a lot and I also went to her lessons. As a two year old, three year old I remember seeing things in movement.

Ultimately I am happy that everybody is embracing hip hop and the sounds from the streets.

I like the way the stories of my relationships sound to music more than the way they look in print, in gossip columns or in me talking about them in interviews. I think it's a better way of telling the stories.

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