Explore Quotes on Stories

Climate change is one of those stories that deserves more attention, that we all talk about, but we haven't figured out how to engage the audience in that story in a meaningful way. When we do do those stories, there does tend to be a tremendous amount of lack of interest on the audience's part.

When you have an American mother from the Midwest and an Egyptian father, you travel back and forth and see such completely different stories in the news about the exact same events. It makes you think, 'How is anybody able to understand or even have a dialogue when the basis of information is just so completely different?'

We remain committed to inspiring and compelling social change to the world's most pressing problems through the power of great stories and engaging our audiences to take meaningful action.

I wanted to be a writer, to write these stories that would make people see the world in a different way. But I ended up going to business school because I thought I could ultimately get to where I wanted to go faster that way.

The goal of Participant is to tell stories that serve as catalysts for social change. With our television channel, we can bring those stories into the homes of our viewers every day.

Of course, I write crime stories, and I have to describe violence and the aftermath of violence.

'Shotgun Stories' and 'Take Shelter'... I was willing to make those with no money and no time. With 'Mud,' I just wanted to protect it until I could have the resources. It's a real tricky movie.

Whenever I write, I try and approach my stories from some kind of universal theme or idea or emotion.

I care about narrative structure; I care about how stories unfold.

I'm not really an autobiographical writer, though I use lots of stuff from my life to make my stories seem real. But when I actually write about myself, I get very confused.

When I first seriously decided to become a cartoonist would have been '99/2000, right before 9/11. I've been writing and illustrating stories in the world post-9/11 since then, watching the world change around me.

I write and draw from the gut. I often don't know what my stories are about until they're done.

When I do my best work, the stories tend to be pretty emotionally-charged.

I never - when I go into a project, I don't think too much about if there's a lot of other sci-fi books out there or horror books or whatever. I just tell the stories I want to tell, and I think that is evident on the page.

All my stories were usually titled, 'White House Says,' 'President Bush Wants,' and I relied on transcripts from the briefings. I relied on press releases that were sent to the press for the purpose of accurately portraying what the White House believed or wanted.

In my work at 'Entertainment Weekly,' I had written reviews and news stories about YA books and film franchises and was always moved by how smart and voracious and loyal the readers were. Everything we did got lots of attention and reaction.

Looking back, I realize my favorite stories weren't in books, they were in comics. On top of being a history enthusiast, my father was also a comics fan, and he kept his stash in the top drawer of his dresser, in easy reach of a kid making a beeline to the bathroom.

I write for kids because I think the most interesting (and most humorous) stories come from people's childhoods. When I was writing 'Diary of a Wimpy Kid,' I had a blast talking on the phone to my younger brother, Patrick, remembering all of the things that happened to our family when we were growing up.

I think if everyone would write down the funny stories from their own childhoods, the world would be a better place.

I had been writing poems and stories since I learned to make letters. I had placed poems in a hardcover anthology at the age of 6. And I knew more big words than anyone else in the 10th grade.

We write the songs that we do because that's what we like. But they are just stories - not things we actually do or recommend anyone else go out and do.