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I started writing because I wanted to write scripts, but I wasn't very good at it. Then I started writing short stories, sort of as treatments for the film scripts, and I found I enjoyed writing short stories far more than I enjoyed writing film scripts. Then the short stories got longer and longer and suddenly, I had novels.

I like those kinds of songs that have details that you remember and that have stories that mean something and that open up into different levels philosophically. I like those kinds of movies, and I like those kinds of books.

I've got some stories to tell, and acting was a way I could express myself and not feel stupid. I fell in love with that.

I grew up hearing stories about how my maternal grandfather had put himself through engineering school in New York City. He saved money by walking down to a gas station once a week to take a shower. When I applied to college, both education and investment value were important to me.

Personally, I love books, and I am interested in the notion that stories are told better in different media depending on the story.

Great stories and acting always win the day. If the story behind the scares is dramatic and the filmmaking is great, it works. If those things aren't great and the scares are secondary, it doesn't.

Any show I'm working on, I want the stories to always be about something, and to have the potential to be emotional. That's the kind of story that I like.

The stories in 'Parenthood' are so much the stories of our lives. And the people who have worked on the show feel very connected to these characters.

With acting, you do want to get every job, and you're trying to get every audition, but then you reach a certain stage where you start to kind of gravitate toward the stories and the people that have a similar heartbeat.

The last few years I've had to force myself to go out and be more involved the world because I can get a bit more cerebral and escape into characters and the world of characters. But now I guess I escape into stories about 'Wilfred.'

When I first came back and I was playing with the Nets, yes, there was a lot of media attention. But after about two weeks, all those stories about being the first gay athlete went away and it became about, 'Wait, how are the Brooklyn Nets doing?' The same goes for Robbie Roberts, who won an MLS Cup.

I heard heart wrenching stories about fans who had tickets for the 1980 show in Montreal, the first concert that didn't happen, when my dad died. They'd be in tears. It was hard to deal with sometimes.

Everyone knows these stories about a wild and crazy guy called Bonzo, but at home he was just like any other father; always hollering at me for not doing my homework.

I want to create films that will speak to different parts of our hearts and brains, stories told from a different angle.

As a filmgoer and a filmmaker, I want to participate and tell stories of woman and man that will move us forward.

Every poker player, like every fisherman, needs to have a story in a box, and most poker stories are completely uninteresting.

I think it's our job as writers for Marvel Comics to continue to create those type of stories that can be mined instead of just trying to give readers exactly what they see on film.

'Scalped' is representative of the kinds of stories I like to read and I like to watch.

You're always trying to do something that, on one hand, honors all those stories, that is still in some way the same character that Stan Lee and Jack Kirby were doing back in the sixties. But, at the same time, you want to be able to tell new stories and not just rehash what's come before.

I'm just trying to create characters and tell stories.

I don't really have any interest in doing Donald Blake stories. Maybe it's just I don't know what to do with that sort of alter ego.

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