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Joaquin Jackson's frank and colorful account of his long career as a modern-day Texas Ranger thrills like an action novel, yet the stories are true, sometimes funny, sometimes tragic, but always gripping. I could hardly put the book down. . . .The writing is superb.

The purpose of a good education is to show you that there are three sides to a two-sided story.

In this mob of I's inside, which one is me? Hear me out. I know I'm wandering, but don't start putting a lid on this racket. No telling what I'll do then. Every moment I'm thrown by your story. One moment it's happy, and I'm singing. One moment it's sad, and I'm weeping. It turns bitter, and I pull away. But then you spill a little grace, and just like that, I'm all light. It's not so bad, this arrangement, actually.

I am sometimes sad when I hear the personal stories of Tibetan refugees who have been tortured or beaten. Some irritation, some anger comes. But it never lasts long. I always try to think at a deeper level, to find ways to console.

The whole point of fanfiction is that you get to play inside somebody else's universe. Rewrite the rules. Or bend them. The story doesn't have to end. You can stay in this world, this world you love, as long as you want, as long as you keep thinking of new stories.

Look at the very people who are involved in this. They have popped up in other settings. The great story here for anybody willing to find it, write about it and explain it is this vast right-wing conspiracy that has been conspiring against my husband since the day he announced for president.

Radical historians now the tell the story of Thanksgiving from the point of view of the turkey.

People love to have lived a great story, but few people like the work it takes to make it happen.

The greatest stories go to those who don’t give in to fear.

If you watched a movie about a guy who wanted a Volvo and worked for years to get it, you wouldn’t cry at the end when he drove off the lot, testing the windshield wipers. You wouldn’t tell your friends you saw a beautiful movie or go home and put a record on to think about the story you’d seen. The truth is, you wouldn’t remember that movie a week later, except you’d feel robbed and want your money back. Nobody cries at the end of a movie about a guy who wants a Volvo.

The mountains themselves call us into greater stories.

I kept imagining these people, just living their daily lives, and then having them suddenly ended in unjust tragedy. When we watch the news, we grieve all of this, but when we go to the movies, we want more of it. Somehow we realize that great stories are told in conflict, but we are unwilling to embrace the potential greatness of the story we are actually in. We think God is unjust, rather than a master storyteller.

The truth is, if what we choose to do with our lives won't make a story meaningful, it won't make a life meaningful either.

If the point of life is the same as the point of a story, the point of life is character transformation. If I got any comfort as I set out on my first story, it was that in nearly every story, the protagonist is transformed. He's a jerk at the beginning and nice at the end, or a coward at the beginning and brave at the end. If the character doesn't change, the story hasn't happened yet. And if story is derived from real life, if story is just condensed version of life then life itself may be designed to change us so that we evolve from one kind of person to another.

If I have a hope, it's that God sat over the dark nothing and wrote you and me, specifically, into the story and put us in with the sunset and the rainstorm as though to say, “Enjoy your place in my story. The beauty of it means you matter, and you can create within it even as I have created you.”

We are not quite novels. We are not quite short stories. In the end, we are collected works

The words you can't find, you borrow._x000D_We read to know we're not alone. We read because we are alone. We read and we are not alone. We are not alone._x000D_My life is in these books, he wants to tell her. Read these and know my heart._x000D_We are not quite novels._x000D_The analogy he is looking for is almost there._x000D_We are not quite short stories. At this point, his life is seeming closest to that._x000D_In the end, we are collected works.

San Francisco itself is art, above all literary art. Every block is a short story, every hill a novel. Every home a poem, every dweller within immortal. That is the whole truth.

All I can do is write my stories for mankind, and rest easy.

The bigness of the world is redemption. Despair compresses you into a small space, and a depression is literally a hollow in the ground. To dig deeper into the self, to go underground, is sometimes necessary, but so is the other route of getting out of yourself, into the larger world, into the openness in which you need not clutch your story and your troubles so tightly to your chest.

It used to be irritating just because someone can meet you and before they would get a chance to get to know you, they’ll go find someone else’s story about who I am. For me personally, I just always think it’s more interesting to get to know the person myself.

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