Perhaps you're not finished with your story, and who knows if you'll ever finish it or not. Honestly, it's not that important.
Miguel Angel RuizRead
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Perhaps you're not finished with your story, and who knows if you'll ever finish it or not. Honestly, it's not that important.
Today everyone, whether they know it or not, is in the emotional transportation business. More and more, success is won by creating compelling stories that have the power to move people to action. Simply put, if you can’t tell it, you can’t sell it.
I live in constant anticipation of good stuff. It's not being 'Pollyanna' about things, but most stories don't have the ending we would give them right away. The better endings come later.
Animation is the one type of movie that really does play for the entire audience. Our challenge is to make stories that connect for kids and adults.
To create a market for your writing you have to be consistent, professional, a continuing writer - not just a one-article or a one-story or a one-book man.
To err is to wander, and wandering is the way we discover the world; and, lost in thought, it is also the way we discover ourselves. Being right might be gratifying, but in the end it is static, a mere statement. Being wrong is hard and humbling, and sometimes even dangerous, but in the end it is a journey, and a story.
Not that happiness is dull. Only that it doesn't tell well. And of our consuming diversions as we age is to recite, not only to others but to ourselves, our own story.
We need to encourage black women to know that they are authors of their own destiny, that they have important stories to tell, and that they are capable, so magically capable, of writing them and creating important pieces of work that will live forever in history.
The romantics would call this a love story, the cynics would call it a tragedy. In my mind it’s a little bit of both, and no matter how you choose to view it in the end, it does not change the fact that it involves a great deal of my life and the path I’ve chosen to follow.
It can certainly happen that characters in more sophisticated stories can 'take over' as they develop and change the author's original ideas. Well, it certainly happens to me at times.
I was always a storyteller. I just didn't know it. I never shared the stories I made up inside my head when I was growing up. I never wrote them down, either. But I can't remember a time when they weren't there.
There are no words for how much I will miss her, but I try to kiss her so that she'll know. I try to kiss her to tell her the whole story of my love, the way I dreamed of her when she was dead, the way that every other girl seemed like a mirror that showed me her face. The way my skin ached for her. The way that kissing her made me feel like I was drowning and like I was being saved all at the same time. I hope she can taste all that, bittersweet, on my tongue.
(The movie) is the story of my life, but it's not about me. It's about anybody who ever dreamed big and had someone tell them, 'No, you can't do it.' You can.
If you write a hundred short stories and they're all bad, that doesn't mean you've failed. You fail only if you stop writing.
I wrote the story myself. It's all about a girl who lost her reputation but never missed it.
As a kid, I did want to be an old-timer, since they were the ones with the big stories and the cool clothes. I wanted to go there. Now, I guess I want to bring that with me and go back in time.
We figured the audience would want good stories, great art, wonderful characters, people you could fall in love with that we would immediately put through hell.
I was asked in an interview once: You're writing another book with a female lead? Aren't you afraid you're going to be pigeonholed? And I thought, I write a team superhero book, an uplifting solo hero book, I write a horror-western, and I write a ghost story. What am I gonna be pigeonholed as? Has a man in the history of men ever been asked if he was going to be pigeonholed because he wrote two consecutive books with male leads?
The most important thing to realize is that everyone is capable of telling a story.
All I ever wanted to do is to write stories that people will enjoy and feel at home with.
The really tough thing would have been to decide to take Woodward and Bernstein off the story. They were carrying the coal for us - in that their stories were right.
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