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What are the sources of an illumination? To me, they come after hours of searching and keeping my soul ready. Yet they come in a flash, as a religious phenomenon. The Heart is a Lonely Hunter had such an illumination, beginning my long search for the truth of the story and flashing light into the long two years ahead.

I think the idea of a traditional story being told using traditional animation is likely a thing of the past.

My story is important not because it is mine, God knows, but because if I tell it anything like right, the chances are you will recognize that in many ways it is also yours.

The truth of the matter was stories was everything and everything was stories. Everybody told stories. It was a way of saying who they were in the world. It was their understanding of themselves. It was letting themselves know how they believed the world worked, the right way and the way that was not so right.

Deeply disturbing in a way that only the most honest stories are, YACCUB is a fiercely written, daring journey through America's urban wilderness and into the souls of our forgotten brothers. But Wrath James White hasn't forgotten about them--and after reading this book, neither will you.

Once you figure out what's best for the story, take out the rest.

You small mortals don't realize the power of your stories.

Now it’s either about technology that doesn’t work or about technology that’s used in bad ways. The anthology of the top twenty-five sci-fi stories in 1970 was, like, ‘Me and my friend the robot went for a walk on the moon,’ and in 2008 it was, like, ‘The galaxy is run by a fundamentalist Islamic confederacy, and there are people who are hunting planets and killing them for fun.’

University administrators are the equivalent of subprime mortgage brokers selling you a story that you should go into debt massively, that it's not a consumption decision, it's an investment decision. Actually, no, it's a bad consumption decision. Most colleges are four-year parties.

The story of evolution unfolds with increasing levels of abstraction.

Foreign novels are less action-oriented. They have a different pace; they’re more reflective. They challenge us to look for the story, find the story within the story.

Jerel Law has crafted a fantastic story that will leave every reader wanting more. Stop looking for the next great read in fantasy fiction for young readers-you've found it!

The fabliau, then, is a short story that is a tall story. It combines a burly blurting of dirty words with a reveling in humiliations that are good unclean fun. A popular venture that is keen to paste—épater—everybody (not just the bourgeoisie), it is the art of the single entendre. Highly staged low life, it guffaws at the pious, the prudish, and the priggish. High cockalorum versus high decorum…. The introduction here, like the translator’s note, tells well the story of the comic tales, anonymous for the most part, usually two or three hundred lines long, of which about 160 exist.

To refrain from storytelling is perhaps one of the highest forms of respect we can pay. Those people, with no stories to circle them, can die without being misunderstood.

Dreams are stories made by and for the dreamer.

The recollections of an older man are different from those of a younger man. What seemed vital at forty may lose its significance at seventy. We manufacture stories, after all, from the fleeting sensory material that bombards us at every instant, a fragmented series of pictures, conversations, odors, and the touch of things and people. We delete most of it to live with some semblance of order, and the reshuffling of memory goes on until we die.

I think there are things in my story that have helped my creativity. Your father being killed, for instance, is one of the best things that could happen to a kid if he's going to write poetry or songs.

There is nothing more beautiful in the world, enough to lose one's head. A sunset with a long nose, a starry sky that lies, a river searching for its father, a beautiful blue forest. It makes you laugh, it makes you cry, it's very mean, generous, magical, universal, a picture of freedom, of unrestrained desire to live, of pain and joy - a joy so powerful and sweet that it restores the souls in every spot on earth. The story of Pinocchio - nothing more beautiful in the world.

You gotta make your own way. You gotta find a way. You gotta get it done. It's hard. It's tough. That's what I tell my students every day in class. I've been very fortunate. Some people might call me a hardhead, but I'm not going to let other people dictate to me who I should be or the stories I should tell. That doesn't register with me.

The art of the dramatist is very like the art of the architect. A plot has to be built up just as a house is built-story after story; and no edifice has any chance of standing unless it has a broad foundation and a solid frame.

Our stories can set us free. When we set them free.

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