Explore Quotes on Stories

In Holland and Spain and France, where so many of us come from, people aren't interested in the sex lives of their players. We don't hear these stories - even in Italy where the media is right on top of football.

Writing a short story is like having a short intense affair, whereas writing a novel is like a long rich marriage.

And one thing that I always believed and that I knew for certain was that I could never have sustained a personal relationship while I worked this hard, or while I was that driven this intensely by the story.

If we can only live once, then let it be a daring adventure that draws on all our powers. Let our grandchildren delight to find the start of our stories in their ears but the endings all around in their wandering eyes.

When I read a story, I relive the moment from which it sprang. A scene burned itself into me, a building magnetized me, a mood orseason of Nature's penetrated me, history suddenly appeared to me in some tiny act, or a face had begun to haunt me before I glanced at it.

Cafe De Flore speaks of love, its joys, its pains and its dramas - to love and to lose. This story upset me, I was upside-down, in the depths of myself.

You hear the best stories from ordinary people. That sense of immediacy is more real to me than a lot of writerly, literary-type crafted stories. I want that immediacy when I read a novel.

What I'm always trying to do with every book is to recreate the effect of the stories we heard as children in front of campfires and fireplaces - the ghost stories that engaged us.

I try to tell a story the way someone would tell you a story in a bar, with the same kind of timing and pacing.

You can tell a more over-the-top incredible story if you use a nonfiction form.

Emotionally, in our minds, we get so filled with resentments where we've got a story about absolutely everything.

The only thing I shy away from is non-consensual violence. I can't write a story where someone is a simple victim because it's boring.

People don't want their lives fixed. Nobody wants their problems solved. Their dramas. Their distractions. Their stories resolved. Their messed cleaned up. Because what would they have left? Just the big scary unknown.

I don't stare at a sheet of paper and try to think of a good word to use. I try to see where the story should go.

One of the main reasons I am so drawn to Hitchcock is that he planned his shots way in advance on story-boards, which he designed like classic paintings (he was an art connoisseur). It's why he found shooting on set boring - because he had already composed the film in his head.

If you are making a script based on a book it can be frustrating going back to the source novel, because you're turning the story into a totally different thing; the narrative of film is different from that of a book.

I speak and speak, [...] but the listener retains only the words he is expecting. [...] It is not the voice that commands the story: it is the ear.

Because of an off-hand funny comment I made backstage at a concert years ago, a story circulated that the song has been a burden and even that I didn’t sing it for a while. That’s completely false. I am very proud of ‘American Pie’ and the many satellites that grow from it and revolve around it. For many years I carried my songs around and now they carry me around. I have always sung ‘American Pie’ for my audience and would never think of disappointing them since it is they who have given me a wonderful life and untold affection for almost 30 years.

We grow up being told about great figures in our society, and as you get older you have to question the stories you've been told and decide if these great figures are indeed as great as you've been told.

One minute I was playing chess and doing maths all the time, the next I had been rerouted into more 'normal' girls' activities: reading, writing stories and worrying about my clothes.

Ninety-nine per cent of traditional English literature concerns people who never have to worry about money at all. We always seem to be watching or reading about emotional crises among folk who live in a world of great fortune both in matters of luck and money; stories and fantasies about rock stars and film stars, sporting millionaires and models; jet-setting members of the aristocracy and international financiers.