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Why, I wonder, should the popularity of a news story matter to me? Does it mean it's a good story or just a seductive one?

The genius of a folk melody or story is not the feeling that it's original but quite the opposite - the feeling that it has existed all along.

Bad stories are written about me because the press knows they can make me into a weeping dog and few people will object.

Short-story writing requires an exquisite sense of balance. Novelists, frankly, can get away with more. A novel can have a dull spot or two, because the reader has made a different commitment.

I'm not constrained by being a genre writer. Any story I can imagine, I can cast as a fantasy novel and probably get it published.

I've read short stories that are as dense as a 19th century novel and novels that really are short stories filled with a lot of helium.

For me, writing a short story is much, much harder than writing a novel.

A damnably readable, streamlined, yet deeply researched work. Skipping the ancestors and aftermath of conventional biography, Max gives us the man, his work, and his times-the niceties of which (so complicated, so exquisitely intertwined) Max articulates with, well, Wallace-like lucidity and wit. Above all this is the story of a touching young man who insisted on being something better than simply the smartest person in the room.

Psychology is ultimately mythology, the study of the stories of the soul.

The journey of the hero is about the courage to seek the depths; the image of creative rebirth; the eternal cycle of change within us; the uncanny discovery that the seeker is the mystery which the seeker seeks to know. The hero journey is a symbol that binds, in the original sense of the word, two distant ideas, the spiritual quest of the ancients with the modern search for identity, “always the one, shape-shifting yet marvelously constant story that we find.

The original series of Watchmen is the complete story that Alan Moore and I wanted to tell. However, I appreciate DC's reasons for this initiative and the wish of the artists and writers involved to pay tribute to our work. May these new additions have the success they desire.

With the new game I'm going to be involved from the ground up. I have had story input and the whole thing will have my imprint on it. Even if I don't hands-on do every bit of artwork, I certainly will direct the look of the whole thing.

However, the eleventh-hour nature of these changes left us frustrated and angry — because they prevent us from telling the best stories we can. So, after a lot of soul-searching, we’ve decided to leave the book after Issue 26.

One of the main reasons is that most Sunday school curricula only teaches disconnected Bible stories. They don't teach how we know the Bible is true, how to defend the faith, and how to answer the skeptical questions of today.

I am very conscious of what I say and do when I go out because the media is quick to make that a story.

I saw 'The 39 Clues' as a potential vehicle for doing some education in a fun way - to take some of these amazing stories from history, dust them off and make them alive.

The Vampire Diaries is the story of Elena falling in love with Damon.

The story of the Khazar Empire, as it slowly emerges from the past, begins to look like the most cruel hoax which history has ever perpetrated.

My father always taught by telling stories about his experiences. His lessons were about morality and art and what insects and birds and human beings had in common. He told me what it meant to be a man and to be a Black man. He taught me about love and responsibility, about beauty, and how to make gumbo.

HBO and I have a deal to at least try to make a television series from the Leonid McGill stories. We're going to start with the first novel, 'The Long Fall'.

You can’t really change the heart without telling a story.

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