Explore Quotes on Stories

Everything we are is anchored in our childhoods. The drama comes in how we deal with it. Are we slaves to our past, or can we rise above it? This is the stuff of great stories.

Nothing about it interested me. Or about anything else, except making up stories. If literacy weren't so nearly universal, God knows what I'd be. A drain on the State, I shouldn't wonder.

I never take ideas from the headlines. I feel that if a story is good enough, a real story that is, then it's already been covered by the media, and if it's not good enough, why would I want to bother with it?

I began using pseudonyms early in my career, when I was being paid a quarter a cent a word for my work, and when I had to write a lot to earn a living. Sometimes I had three or four stories in a single magazine without the editor knowing they were all by me.

You see, writing down your meanderings gets something started deep in the recesses of your brain. That distant part of your mind knows that you want to write stories or poems or plays and not endless jabber, and it will get to work. It may take a while. You may have to write this stuff for hours or days or weeks, but eventually that subterranean part of your brain will come through and begin to send you ideas.

But there's one thing I'm sure about. An opening line should invite the reader to begin the story. It should say: Listen. Come in here. You want to know about this.

I began reading Harper Lee's novel in the skimpy shade of a pine outside my grandmother's house, fat beagles pressing against me, begging for attention, ignored. At dark, I kept reading, first on the couch, a bologna sandwich in one hand, then in my bed, by the light of a 60-watt bulb hanging from the ceiling on an orange drop cord. When my mother came in from her job as a maid and unplugged my chandelier, I replayed the story in my head until it was crowded out by dreams. I woke the next morning, smelling biscuits, and reached for the book again.

Romance is very pretty in novels, but the romance of a life is always a melancholy matter. They are most happy who have no story to tell.

The rest of the story from Acts 1:8 explains that Christ-followers have a mission while here on earth. They are to be Christ’s witnesses all over this planet. It’s as if Christ said, “Think you’re missing the book smarts, the street smarts, the looks, the talent, or the speaking ability to accomplish this mission? Don’t be concerned with those things, because you have my mountain-moving, life-transforming, death-defying power on your side.”

The Bible is not a script for a funeral service, but it is the record of God always bringing life where we expected to find death. Everywhere it is the story of resurrection.

I am convinced that when we bring our griefs and sorrows within the story of God's own grief and sorrow, and allow them to be held there, God is able to bring healing to us and new possibilities to our lives. That is, of course, what Good Friday and Easter are all about.

People see in stories what they’re looking for, my young friend.

Reality is always the story of a past, and what I love about the past is—it's over.

There's a lot of peer pressure to not do positive stories out of Iraq... I think there's a sense that the administration got a pass during the hot days of war and now that the war is over it's time to even out the deck somewhat.

We can now say with considerable confidence that the Bible is not a history of anyone's past.... The Bible's "Israel" is a literary fiction... Not only have Adam and Eve and the flood story passed over to mythology, but we can no longer talk about a time of the patriarchs. There never was a "United Monarchy" in history and it is meaningless to speak of pre-exilic prophets and their writings... The Bible deals with the origin traditions of a people who never existed as such

Real change comes from finding and embracing and connecting and amplifying those that are inclined to like you and believe in you. Ideas spread from person to person, not so much from you to them. So find your biggest fans and give them a story to tell.

The stories of past courage... can offer hope, they can provide inspiration. But they cannot supply courage itself. For this each man must look into his own soul.

The trap into which all writers have, will, or should fall into, of writing The Great American Watchamacallit, is such an uncluttered and inviting one that from time to time I'm sure even the greatest have to pull themselves up short by the Shift key to remind themselves that it is story first that they should write.

You can't write a novel all at once, any more than you can swallow a whale in one gulp. You do have to break it up into smaller chunks. But those smaller chunks aren't good old familiar short stories. Novels aren't built out of short stories. They are built out of scenes.

Never buy an editor or publisher a lunch or a drink until he has bought an article, story or book from you. This rule is absolute and may be broken only at your peril.

There are two wrong reactions to a rejection slip: deciding it's a final judgment on your story and/or talent, and deciding it's no judgment on your story and/or talent.