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We are all inspired by the incredible stories of handicapped people who write novels with their toes, cancer victims who run marathons for cancer research, bereaved parents who set up memorial funds for their lost children. How much easier is it for most of us to be small heroes simply by taking responsibility for our daily lives and transcending our ordinary obstacles?
I know of three ways to recognize another writer: Writers are shamelessly nosy. Writers tell good stories, even about dumb old, daily things. On most writers, the earmarks of thrift, if not outright povery, are evident.
Using language like jungle growth isn't the solution to telling a story.
We are constantly telling ourselves what we most want to know, and at the same time are deaf to it. Why does envy have such a fierce bite? Why do we fall silent or get worried just as our story is about to spring out of our control and into its own life? Whose shadow falls across the page?
You must get beyond divertissement, sketch, anecdote, the interesting moment. You must get to the mystery of human personality. What is the line of the story that leads us to a point where we see or intuit something we haven't before?
Objects in pictures should so be arranged as by their very position to tell their own story.
A story should have a beginning, a middle and an end, but not necessarily in that order.
My mother, whom I love dearly, has continually revised my life story within the context of a complicated family history that includes more than the usual share of divorce, step-children, dysfunction, and obfuscation. I've spent most of my adult life attempting to deconstruct that history and separate fact from fiction.
I think sometimes we look at other people's marriages and we think they must always be so happy together. I don't know anybody who's married for a long time who hasn't somehow made room in their love story for the hate and resentment that they sometimes feel toward each other.
I think it's wonderful when a love story begins with a great deal of romance and affection, passion and excitement, that's how it should be. But I don't necessarily know that it's the wisest thing in the world to expect that it ends there, or that it should, 30 years down the road, still look as it did on the night of your first kiss.
What would there be in a story of happiness? Only what prepares it, only what destroys it can be told.
I don't generate a storyline and then fill it out in the course of writing. The story actually generates in the course of the writing. It's one of the reasons I've never been comfortable doing screenplays, because in order to get the contract for the screenplay, you have to sit down and tell them what's going to happen.
People like scary stories. There's a fascination with fear themes, and we want to face those things in a weird, subconscious way.
I'm always writing. There is always a story brewing in my head.
I would say a good leader brings results. A great leader writes a new story, it's different. Obviously a new story has to incorporate a lot of results. But a story is a chapter in the life of a company that people want to write and want to remember.
The nice thing about the Bible is it doesn't give you too many facts. Two an a half lines and it tells you the whole story and that leaves you a great deal of freedom to elaborate on how it might have happened.
When modern writers gave up telling stories, they gave up the greatest thing we had.
Well the country songs themselves are three-chord stories, ballads which are mostly sad. If you are already feeling sorry for yourself when you listen to them they will take you to an even sadder place.
Well, I think they're all basically the same story. Every culture in the world has them. When you strip it down and analyze it, it's the young man or girl who goes through a trial or ordeal and hits a very low ebb but manages to get guidance from a Merlin type figure.
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