A premium site with thousands of quotes
The story of the redemption will not stand examination. That man should redeem himself from the sin of eating an apple by committing a murder on Jesus Christ, is the strangest system of religion ever set up.
When I see throughout this book, called the Bible, a history of the grossest vices and a collection of the most paltry and contemptible tales and stories, I could not so dishonor my Creator by calling it by His name.
Country music to me is heartfelt music that speaks to the common man. It is about real life stories with rather simple melodies that the average person can follow. Country music should speak directly and simply about the highs and lows of life. Something that anyone can relate to.
Anna Karenina is just a story about a woman falling in love with a bloke who is not her husband. Its gossip, rubbish - on the other hand, its the deepest story there could be about social transgression, about love, betrayal, duty, children.
I say, 'If I had a serious brain injury I might well write a children's book', but otherwise the idea of being conscious of who you're directing the story to is anathema to me, because, in my view, fiction is freedom and any restraints on that are intolerable.
My notion of a great novel is something like a five-hundred-page shaggy-dog story, with only the punch line omitted.
We need myths to get by. We need story; otherwise the tremendous randomness of experience overwhelms us. Story is what penetrates.
The story of your life is not your life; it's your story.
Our children's children will hear a good story.
The imagined memories had to have as much weight as the real, or we had to at least pretend they did to such a degree that they just very well might have. And so I never questioned Angela about that particular story, or about all the troubling things that it pointed to, content to believe that at least in this version things worked for her better than they did in the one I never heard.
How [stories] are told, who tells them, when they’re told, how many stories are told — are really dependent on power.
At about the age of seven … I wrote exactly the kinds of stories I was reading: All my characters were white and blue-eyed, they played in the snow, they ate apples, and they talked a lot about the weather: how lovely it was that the sun had come out. This despite the fact that I lived in Nigeria; we didn’t have snow, we ate mangoes, and we never talked about the weather, because there was no need to.
Perhaps this is what we mean by sanity: that, whatever our self-admitted eccentricities might be, we are not villains of our own stories.
To see the madness and yet walk a perfect silver line. ... That's what the true story-teller should be: a great guide, a clear mind, who can walk a silver line in hell or madness.
The Nigerian storyteller Ben Okri says that ‘In a fractured age, when cynicism is god, here is a possible heresy: we live by stories, we also live in them. One way or another we are living the stories planted in us early or along the way, or we are also living the stories we planted — knowingly or unknowingly — in ourselves. We live stories that either give our lives meaning or negate it with meaninglessness. If we change the stories we live by, quite possibly we change our lives.’
When I had dyslexia, they didn't diagnose it as that. It was frustrating and embarrassing. I could tell you a lot of horror stories about what you feel like on the inside.
Whether the type of old sea captain that I have portrayed in my stories is gone forever, is a question. Certainly each summer I find that the ranks have perceptibly thinned. The longshore captain is still there, many of the men who are not any older than myself, but their viewpoint is not that of a man who sailed his square rigged ship out one morning with China as his destination.
Other than that one year, Salon has been very cautious about the way it spends money. For instance, since last year, we've had virtually no marketing budget. It's just word of mouth. And our circulation continues to grow that way by breaking news stories.
I always liked the story of Noah's Ark and the idea of starting anew by rescuing the things you like and leaving the rest behind.
The danger that keeps me just a little frightened with every book I write, however, is that I'll overreach myself once too often and try to write a story that I'm just plain not talented or skilful enough to write. That's the dilemma every storyteller faces. It is painful to fail. But it is far sadder when a storyteller stops wanting to try.
Every word a woman writes changes the story of the world, revises the official version.
Subscribe and get notification from us